Too Much Imagination?

Writing has always been therapy for me. A way to put my vivid imagination to good use instead of making me fearful and worried.

Early in my married years, when my hubby was a truck driver, my imagination would play scenarios in my head about things that happened to him while he was driving. Or if my parents were coming to visit and they were late, my mind would jump to all the tragic things that could have happened.

Once I started writing, sitting down nearly every day and putting my imagination to work writing stories, I rarely envision harm coming to people I know anymore.

What does happen is that my mind is constantly finding ways to bump off people in my mystery books. Ways that are unusual or that are everyday things that can become deadly. I haven’t asked other murder mystery writers if they do the same thing. I need to do that the next time I’m at a conference.

My latest was an innocent trip to the local theater group to watch the play “Oklahoma!” I had been toying with going, and then a friend said the Elgin Opera House put on the best plays, that most of the actors were actually people wanting to get into the field, and used the Opera House as a way to pad their résumés.

So I called my daughter, who lives halfway between the Opera House and me, to ask if she wanted to go with me. She said yes and I purchased the tickets online.

I have driven by the Opera House a hundred or more times, but I’ve never been inside the historical building built in 1912. We parked and entered the building, purchasing water and popcorn before finding our seats in the balcony section. I was impressed by the tin ceiling, the sloped seating, and the excellent sound. Very historical looking. The chairs were a bit hard, even though they were padded. I’m pretty sure it was the old wood shaving stuffing that had been packed down over decades of use!

We were a little bit early and entered the balcony from the top, found our seats, and took in the surroundings. After visiting and talking about the stage and my daughter having been in the building before, when her daughter was in a play, we decided to use the restroom before the play started. I stayed seated as my daughter went to use the facilities. The balcony didn’t have any lights on. The light came from down below on the stage. My daughter doesn’t like heights,. She came back from the restroom and said she didn’t like walking along the edge of the balcony to go to the door leading down to the restrooms.

I laughed at her and said, at least it wasn’t as high as the Church tower we’d climbed up to in Holland. Then I went down to walk along the balcony railing. It came to my knees, and the walking area between the railing and the front row seats was maybe 24 inches. I stopped to look down at the seating below and felt a little dizzy from the darkness above, the light below, and the sense that I was tipping toward the railing.

I continued on and then as I came back, the idea hit me that having a character be at the opera house for a play and seeing a person fall from the balcony would make a good start to a murder mystery. And as I sat in the balcony watching the play, more and more scenes flashed through my mind.

At the end of the play, when the spectators in the balcony had left, I sat in the front row and envisioned how someone could orchestrate an accidental fall.

So stay tuned for book three in the Cuddle Farm Mysteries. The death at the beginning of the book may or may not have been an accident! 😉

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Guest Blogger ~ Greta Boris

The Lighter Side of Death

Greta Boris

It was March 19, 2020, and I was in San Diego at the Left Coast Crime Convention. I was just leaving my first (or maybe second) panel discussion when an announcement came over the loud speakers. The conference was being cancelled. The governor had just shut down the state. I grabbed my bags and headed for home.

During lockdown a lot of authors shut down just like the country. Their stories dried up. They were too distracted by the pandemic and all it’s accompanying fears to write.

Not me. Writing became my sanity.

There are two basic ways people deal with difficulties. Some are internal processors. They need to sit quietly and think things through. This is the kind of person I wish I was.

I am the second kind, however. I’m an external processor. Often, I don’t really know what I think about things until I get them out of my brain into the atmosphere.

Thankfully for my husband, I’m also a writer. Talking works, but so does writing. It’s saved our marriage. He can only handle so much of my mental meanderings.

Anyway, back to 2020. I was sure, like the rest of you, that this whole pandemic thing would be over in a hot minute. As the weeks of isolation dragged on, however, I realized I was going to have to do something with the growing fear within.

At the time, I was wrapping up book five or six of a seven book psychological suspense series now titled The Almost True Crime Series. It’s written as a if its a true crime podcast with each book representing one season of the show. My podcaster, Molly Shure, delves into the minds of the killers, trying to understand the “whys” behind the crimes. This is a topic that fascinates me, but it’s a little on the dark side.

In the middle of COVID, with all the darkness that it brought, I felt the need for something lighter and brighter. Being the kid that did NOT pull the covers over my head when something went bump in the night, I knew I had to tackle the current zeitgeist head on. I had to find the lighter side of death.

Coincidentally, my daughter had recently introduced me to a YouTube channel—The Ask a Mortician Show. Caitlin Doughty, an actual mortician, was funny and real and so, so interesting. She tackled topics like embalming procedures for people who’d died in various gruesome ways, strange burial rituals from around the globe, and why green burials were the wave of the future.

She, I thought, would make an excellent amateur sleuth. But how or why would a mortician be privy to things the authorities weren’t? By the time she got her hands on a corpse, medical and law enforcement professionals would have already investigated if an investigation was warranted.

Then, I remembered a conversation I’d had at the salon back in the good old days when we were allowed to groom ourselves. A stylist told me about another stylist who moonlighted in mortuaries doing hair for the dead.

What if my character got a request to style a deceased client for that client’s funeral? What if she discovered a hitherto unknown talent when she did? What if she could feel the final emotions or sensations of that person when she touched their hair? And what if the person demanded justice by haunting my main character until the murderer was exposed?

That had legs. I had an interesting protagonist with an interesting gift, a reason she would know things the police and coroner wouldn’t, and most importantly, a reason for her to encounter lots of dead people. No shade on Miss Marple, I love those stories, but the murder rate in St. Mary Meed was hard to swallow.

Thus To Dye For, book one in The Mortician Murders was born. I’m currently writing book nine in Imogene Lynch’s story. She’s found more than a gift and a slew of murderers. She’s found family, a legacy of power, an arch enemy in the Orange County Medical Examiner, and an evil cult she must ultimately confront. She’s also found love with Greener Pastures Mortuary’s hunky night watchman, Elmore Leonard Brown, who later in the series becomes an Orange County Sheriff.

The Mortician Murder world has been a respite for me from the tumult of the 2020s. The scary things Imogene has braved have helped me face my own fears during COVID and beyond. Through her, I’ve discovered a secret weapon—laughter. As hyperbolic as it might sound, writing this series has taught me that embracing the lighter side of death helps to diffuse the power of darkness.

Viva la Cozy Mystery!

To Dye For – A Ghostly Mortician Murder

Death is Permanent. Unless It’s Not.

Imogene’s client has an unusual request. The only problem? She’s dead.

Hairstylist Imogene Lynch agrees to do a simple, if creepy, favor—styling the hair of her favorite client for her funeral. Things take a chilling turn when the body refuses to stay still. Either Imogene is losing her mind, or something far more sinister is at play.

Determined to untangle the mystery, she joins forces with the mortuary’s infuriatingly handsome night watchman. What do they uncover? Turns out her client’s death, like her hair color, wasn’t exactly natural. And worse—she’s not the only victim.

Someone is thinning out the population of Liberty Grove, and if Imogene isn’t careful, she’ll be next.

For fans of reluctant heroes, ghostly mysteries, and murder with a side of dark humor.

Buy link:  https://www.amazon.com/dp/B09WG2SVDC

Greta Boris is the USA Today Bestselling author of The Mortician Murders, a ghostly mystery series, and The Almost True Crime series, stories of psychological suspense. She hails from sunny Southern California, where—based on her books, which are all set there—things are darker than you’d expect. 

She’s also a popular workshop instructor with books and online courses on a variety of writing topics.

Author Links:  http://gretaboris.com and  https://www.facebook.com/greta.boris

Guest Blogger ~ Seren Star Goode

Why I Write Cozy Mysteries — A Beach Walk Answer

On foggy mornings along the California coast, the world feels suspended.

The horizon disappears. The ocean and sky blur into one soft gray. Even the familiar curve of the shoreline looks different, as if something has shifted overnight.

Those are my favorite mornings to walk the beach.

After a strong swell, the tide leaves behind driftwood, kelp, and the occasional glint of something unexpected. I look for sea glass. At first, it’s easy to miss — a cloudy fragment half-buried in sand. But once you learn to spot that soft glow, you can’t unsee it.

Mystery writing feels like that.

I write cozy mysteries because I’m drawn to what hides beneath ordinary life. A marina on a bright afternoon. A small-town festival. Neighbors chatting on a front porch. On the surface, everything looks steady. But if you stand still long enough — you’ll notice tension, history, secrets.

Mystery readers understand that instinct. We read to uncover. To test our suspicions. To follow currents that weave through waves.

For me, the cozy branch of the genre offers something I love: community. In a small coastal town like my fictional Ocean Wood, relationships overlap. Loyalties complicate things. A crime doesn’t just affect one person; it ripples outward. That emotional web gives a mystery weight without turning it bleak.

My protagonist, Amanda Warren, arrives in town trying to rebuild her life. She carries loss. She’s not looking for trouble, but it keeps finding her. Each case she investigates is about justice, yes — but it’s also about steadiness. About putting the pieces back together.

And then there’s Grok.

Grok is a very large, very opinionated Maine Coon cat who may — or may not — have abilities that defy easy explanation. Some readers meet him expecting whimsy and stay for the sharp observations. Cats notice everything. They watch quietly. They sense shifts before humans do. Grok often catches emotional truths before Amanda does.

Writing him is a way of honoring intuition — that small internal nudge that says, something isn’t right here.

Whether you prefer hardboiled detectives or classic puzzles, that feeling is universal in mystery fiction. The tightening awareness. The moment when a clue lands differently. The fog beginning to thin.

On the beach, when I find a piece of sea glass, I always pause. It began as something whole — a bottle, perhaps — broken and tossed aside. The ocean didn’t erase its past. It reshaped it. Edges softened. Surfaces turned luminous.

That’s what draws me to this genre. Mystery is about disruption, but it’s also about restoration. Order doesn’t return untouched; it returns altered, wiser. In my most recent release, Monterey Bay Malice, chaos erupts at a seaside festival, and the crime cuts through friendships and reputations. Yet by the end, what matters most is not just who did it, but how the community stands afterward.

I don’t write cozies because I want to avoid darkness. I write them because I’m interested in what survives it.

Readers don’t turn to mysteries because they love crime. They turn to them because they love discovery. They love that moment when the scattered details align. They love the sense that someone — whether a detective, an amateur sleuth, or a watchful cat — was paying attention.

Fog eventually lifts. The tide recedes. That’s how finishing a mystery feels to me. Something once scattered has taken shape. The surface is clear again.

That’s why I write the genre I do.

Because beneath even the calmest shoreline, there are stories waiting to be uncovered.

And sometimes, if you’re lucky, they shine.

Monterey Bay Malice, the latest installment in the Amanda Warren Cozy Animal Mystery Series, strikes a deadly note when a music festival organizer is electrocuted onstage. As sabotage ripples through the seaside town of Ocean Wood, Amanda and Grok—her 35-pound psychic Maine Coon cat—must uncover the truth before celebration turns to catastrophe

Buy Link: https://www.amazon.com/gp/product/B0FVWFN352

Free story in the series: Kerfuffle at the Border https://dl.bookfunnel.com/bjbbxrovgs

Seren Star Goode writes coastal cozy mysteries set along California’s Monterey Bay. Her Amanda Warren series follows a reluctant sleuth, a close-knit community, and a very large Maine Coon cat named Grok who may be the smartest one in town. When she’s not plotting fictional murders, Seren can often be found walking the beach in search of sea glass, where many of her story ideas begin.

Guest Blogger ~ CB Wilson

Beyond the Teacup: Cozy Mystery in the Modern World

Maybe it’s just me, but I’ve always been the one asking, “What if?” What if the rules could bend just a little? What if the story ventured further than expected? What if a cozy mystery—beloved for its comfort and familiarity—could also genuinely surprise you?

My relationship with mystery began early and rebelliously. I was the kid who read her first Nancy Drew book, then promptly rewrote the ending. Not because I disliked the story, but because I craved something sharper, deeper, perhaps a touch more dangerous. Nancy opened the door to mystery, but Agatha Christie sealed my fate. Once I discovered intricate puzzles, layered motives, and the quiet brilliance of intelligent women navigating hostile worlds, my reading preferences were forever transformed.

That tension between comfort and risk? That’s exactly why cozy mystery resonates so powerfully. At its heart, cozy mystery has always rested on a solid foundation: an amateur sleuth; a close-knit setting; quirky, memorable characters; and a crime that disturbs but doesn’t overwhelm everyday life. Readers seek that familiarity, that sense of place, and the reassurance that justice will ultimately prevail. But here’s what excites me: cozy mystery is evolving.

Today’s cozy readers welcome more complexity. They want adventure that challenges their protagonists. They appreciate emotional depth that reflects genuine human experiences. They enjoy romance that feels real to the characters rather than formulaic. Most importantly, they’re drawn to strong female protagonists who think critically, adapt resourcefully, and sometimes make mistakes while holding their ground.

When I created The Gem Hunters Mysteries, I deliberately chose to push beyond the traditional cozy framework while honoring its essentials. My protagonist isn’t a baker or bookstore owner who stumbles into crime—she’s a diamond investigator whose job is to recover stolen gems. She operates in a world where money, power, and obsession collide, where the stakes carry genuine weight. She’s smart, she’s tough, and she’s navigating a dangerous, high-stakes environment typically reserved for thrillers while maintaining the heart and accessibility that cozy readers cherish.

For me, this isn’t about breaking the rules. It’s about expanding them.

Diamonds, much like mysteries themselves, are inherently layered. They carry history, symbolism, and powerful motives. They inspire obsession, loyalty, betrayal, and sometimes murder. Using gemstones as the driving force behind a cozy mystery allows me to explore global intrigue, family secrets, and personal risk while keeping the focus squarely on character development, relationships, and puzzle-solving.

The response? Readers have enthusiastically embraced this expanded vision. What I’ve learned about the genre is thatcozy mystery isn’t fragile. It doesn’t collapse when you introduce international travel, genuine danger, or a heroine carrying emotional scars. Instead, the genre shines brighter when writers trust both the framework and their readers enough to ask challenging questions. What if the amateur sleuth brings professional expertise to her investigations? What if the small-town setting connects to a much larger, more complex world? What if comfort doesn’t require predictability?

I still love the classics, and I honor the genre’s roots every time I write. But I also firmly believe cozy mystery has room to grow, stretch, and reflect the realities of modern women—women who simultaneously juggle careers, relationships, fears, courage, and insatiable curiosity. While the cozy mystery genre has always celebrated intelligence, community, and justice, I’m discovering that it can also celebrate ambition, expertise, and courage in the face of genuine danger. These additions don’t diminish what makes cozies special. They enhance it.

So yes, perhaps it’s simply who I am: the explorer, the one who rewrites endings, the one who views cozy mystery not as a restrictive box but as an invitation. After all, isn’t that where the real mystery begins? In the space between what is and what could be? In the questions we dare to ask and the boundaries we’re brave enough to test?

The beauty of cozy mysteries is that they welcome us home while encouraging us to venture a little further each time. That balance—between the familiar and the unexpected—is exactly what keeps readers turning pages and writers like me pushing the envelope.

And I wouldn’t have it any other way.

Every diamond has a story… but some are worth killing for.

When Sunset Peak’s legendary Peak Diamond disappears during the town’s glittering centennial gala, Taylor Hunter knows one thing: this was no ordinary theft. As a renowned “Diamond Detective” and reluctant heir to a family legacy of jewel thieves, Taylor has solved high-profile cases around the globe—but this time, it’s personal.

The stakes spiral when a perfect replica of the diamond is found, a notorious diamond broker turns up dead, and her twin sister Hope’s fingerprints are discovered at the crime scene. With Sunset Peak’s future—and her sister’s freedom—on the line, Taylor must partner with the one man she swore she’d never trust: Police Chief Rocky Rockman, her ex-husband’s dangerously charming best friend.

Armed with her expertise, her sharp instincts, and Glimmer, her diamond-sniffing dachshund, Taylor races to unravel a tangled web of stolen gems, buried secrets, and hidden betrayals stretching far beyond her small Arizona town. But someone is willing to kill to keep the truth buried—and if Taylor’s not careful, she could be their next target.

Perfect for fans of Janet Evanovich, Ellery Adams, and Jenn McKinlay, The Fire Diamond is a fast-paced cozy adventure mystery where family secrets cut deep, small-town gossip hides deadly truths, and every diamond comes with a price.

BUY links:

Amazon: https://mybook.to/TheFireDiamond

Barnes & Noble:https://www.barnesandnoble.com/w/the-fire-diamond-cheryl-wilson/1148442601

Apple: https://books.apple.com/us/book/the-fire-diamond/id6753361681

Kobo: https://www.kobo.com/us/en/ebook/the-fire-diamond

Award-winning author, CB Wilson, writes two beloved cozy mystery series: the Gem Hunters Mysteries—beginning with The Fire Diamond—and the Barkview Mysteries, set in the dog-friendliest town in America. A GIA-trained gemologist and lifelong dog lover, she fills her books with sparkling clues, warm humor, and unforgettable canine sidekicks. She lives in Arizona, where she writes stories rich with diamonds, danger, laughter, and loyal dogs.

Facebook page: www.facebook.com/cbwilsonauthor

Goodreads:  https://www.goodreads.com/user/show/137800079

Bookbub: https://www.bookbub.com/profile/c-b-wilson

Instagram: www.instagram.com@cbwilsonauthor

Linktree. https://linktr.ee/cbwilsonauthor

YouTube:  https://www.youtube.com/channel/UC1HfOVqN7aBccTW70_wlL0w

tikTok: https://www.tiktok.com/@author.cb.wilson

Characters, where do they come from?

Shandra Higheagle Mystery, this month.

After my post last month about Getting to Know my Character, I had a reader ask me to write about how I create, develop, and name characters.

I guess I’ll start with my Shandra Higheagle series. In the case of this series, my brother gave me the idea for a unique murder weapon. He is an artist and was working at a bronze foundry, welding bronze statues and putting the patina on them. He told me about a large statue of a warrior with a spear and how the spear from the warrior’s hand up could be removed. It was made that way for transportation.

Once that idea was in my head, I knew the first book had to be set in the world of art to have the statue come into play. I decided my main character would be an artist. Since I am captivated by Indigenous culture and have a friend in that world who was willing to help me understand things I would need to know, I made Shandra a potter who made vases that are sold in art galleries. She is also half Nez Perce from the Colville Reservation and half Caucasian. To make it easier for me to write from her perspective, I had her Nez Perce father die when she was four and her mother took her away from that side of her family. She grew up off a reservation on a cattle ranch in Montana with a stepfather who kept her Nez Perce origins hidden.

That gave me a good way to reacquaint her with her Nez Perce heritage as I learned things. I didn’t try to appropriate her culture, just share her learning and experience. I had the help of my friend, who lives on the Colville Reservation, to help me with the books that are set there and how the people there live.

I set the books in a fictional ski resort area in Idaho. We had traveled through Kellogg, ID, a few years earlier, and I thought it was a wonderful place for an artist to reside. It gave Shandra a mountain where she would gather clay and purify it to make her vases. I had learned about an artist who made his own clay in Wallowa County from my brother. He set up a time for me to meet with the artist and learn all about the gathering and purifying of the clay. While I was there, he showed me several of his pieces that were in various stages of the processes he used.

Once I had all about Shandra settled, I started working on secondary characters. Her dog, Sheba, who is large and scared of her own shadow. A woman who helps her with her clay and taking care of the land that she purchased. Crazy Lil came with the ranch like a stray cat. She grew up on the ranch, lost it when her parents died, and went to work for the person who bought it. When they sold to Shandra, Crazy Lil didn’t move on and became Shandra’s right-hand woman. She’s a bit on the cantankerous side and is leery of Ryan, the detective who takes a shine to Shandra.

Then I added friends. A woman who owns an art gallery in Huckleberry. Naomi is married and she and her husband, Ted, sell Shandra’s vases and know a good deal about her. Ruthie is a Black woman who owns a diner in Huckleberry. She and Shandra bonded over Shandra’s love of cheeseburgers and caramel shakes. Her other good friend is Miranda Aducci, whose family owns the Italian Restaurant in Huckleberry. There are several other unique characters like the albino doctor who is trying to find a cure for the disease that killed all the males in his family in their 50s, and Maxwell Treat whose family owns the local mortuary.

When Shandra is considered a suspect for the death of a gallery owner in the first book, she butts heads with Ryan Greer, the detective for the county. This brings in a man who was a cop in a large city and came back to where he grew up because his large Irish family all live in and around the county. His cultural beliefs about little people help him to come to terms with Shandra’s dreams with her deceased grandmother before she realizes that they are helpful.  

Detective Ryan Greer came to me as I was building the beginning scene in my head. I made him Irish and gave him a good Irish name. His mother is Irish and taught her family all about her homeland. His siblings all have Irish names.

My vision of Shandra

Shandra’s name just came to me as I was putting together what she looked like to me. Of course, I wanted a last name that sounded Native American. Sheba’s name came from a big black fluffy dog my daughter had while growing up. Crazy Lil, was just something I typed the first time I brought her into the book. That’s the way all the secondary characters’ names come to me in each book.

As I type a scene and add a new character, I have in my mind what they look like and I add a name that seems to suit them, or the purpose they have for the story. That sounds kind of vague but that’s the way my mind works.

I always have the main character, the victim, and the suspects fleshed out when I start a book, but the secondary characters that are new to the series pop up as they enter my head.

I’m sure readers are interested in how I came up with my Gabriel Hawke and Dela Alvaro characters in their series. I’ll tell you about them in next month’s post.

I wanted to give you the info about my new Cuddle Farm Mystery Series. There will be a blog tour for the first book, Merry Merry Merry Murder, from October 10th-23rd. there will be character posts and posts about how I came up with the series on multiple different blogs if you want to hear about the book from Cocoa, the border collie, Cupcake, the pygmy goat, Lulu, the chiweenie, and Betty, a secondary character who is one of the main character’s best friends.

 You can purchase Merry Merry Merry Murder ebook from the usual vendors or you can purchase the ebook from my website.

“Where comfort and cheer meet scandalous secrets—A holiday mystery set in a small town.”

In the close-knit town of Auburn, Oregon, Andi Clark’s therapy animals bring comfort to the community, especially during the holiday season. When a young girl seeks solace from Athena, Andi’s therapy dog, after witnessing an unsettling scene behind the sleigh, it marks the beginning of a much darker holiday.

As the town gathers for the Tree Lighting Ceremony, a scream shatters the festive atmosphere. Cocoa, Andi’s loyal Border Collie, pulls her toward a chilling sight: a woman standing over the lifeless body of the girl’s mother, strangled with Christmas lights.

Determined to help the grieving girl and her town recover from the shock, Andi, her therapy animals, and her niece, a county deputy, take it upon themselves to investigate. As they uncover secrets and untangle clues, they stay one step ahead of the new sheriff and worry that the killer lurking in their midst could be someone they know.

Purchase now from my website: https://www.patyjager.net/product/merry-merry-merry-murder-ebook/

Purchase from a universal buy link: https://books2read.com/u/mZ6qpJ