Guest Blogger – Lois Winston

Killing Two Birds with One Stone

By Lois Winston

When I began writing A Sew Deadly Cruise, the ninth book in my Anastasia Pollack Crafting Mystery Series, I set myself two separate tasks. First, I thought it was high time I gave readers some additional background about Zachary Barnes, Anastasia’s love interest. Zack is introduced in Assault with a Deadly Glue Gun, the first book in the series, as Anastasia’s new tenant. A photojournalist, he’s looking to move from Manhattan to a quieter location in the suburbs where he can work in his darkroom without crazy neighbors suspecting he’s running a meth lab out of his apartment. The apartment above Anastasia’s garage provides the perfect location for him.

Almost immediately Anastasia suspects Zack’s career as a photojournalist is cover for a more covert government gig with one of the alphabet agencies. After all, when he’s not traveling back and forth to Washington, D.C., he’s flying off to questionable locations full of political and social unrest. Not to mention, he’s got a badass gun! Was he really photographing lemurs and pochards in Madagascar, or is he there for other reasons?

Of course, Zack denies he’s a spy, but wouldn’t any spy deny he’s a spy? So, is he, or isn’t he? Neither Anastasia nor my readers know at this point. Other than mentioning Zack’s brief marriage twenty years earlier, I’ve never delved further into his background. This all changes in A Sew Deadly Cruise when I finally reveal more about Zack’s history—or at least a substantial part of it.

In addition, for some time now I’ve been itching to write a locked-room mystery. A year ago, while on a cruise up to Canada with my husband—pre-pandemic—I began plotting a murder on a cruise ship, an ideal location for a locked-room mystery. However, to write a truly locked-room mystery, I needed to find a reason to keep the ship’s passengers from disembarking at any scheduled ports of call. Covid-19 hit as I was writing the book, but I certainly wasn’t going to use a pandemic or even an outbreak of norovirus, no matter how common they are on cruise ships.

How would Anastasia investigate a murder if passengers were all confined to their rooms due to illness? And really, who wants to read a humorous cozy mystery with characters suffering from gastrointestinal issues? Where’s the humor in that? Any reader with a weak stomach would be running for the porcelain throne!

I was at a point in my plot where I had to make a major decision about the story. Since I really, really wanted to keep my passengers stuck on the ship, I started hunting around the Internet for stories about stranded cruise liners, searching for a plausible excuse to keep the ship from being allowed to dock at any of its scheduled ports. Of course, I’m going to keep you in suspense, but I did find the perfect solution for keeping everyone onboard the ship but not confined to their cabins due to illness.

A Sew Deadly Cruise

An Anastasia Pollack Crafting Mystery, Book 9

Life is looking up for magazine crafts editor Anastasia Pollack. Newly engaged, she and photojournalist fiancé Zack Barnes are on a winter cruise with her family, compliments of a Christmas gift from her half-brother-in-law. Son Alex’s girlfriend and her father have also joined them. Shortly after boarding the ship, Anastasia is approached by a man with an unusual interest in her engagement ring. When she tells Zack of her encounter, he suggests the man might be a jewel thief scouting for his next mark. But before Anastasia can point the man out to Zack, the would-be thief approaches him, revealing his true motivation. Long-buried secrets now threaten the well-being of everyone Anastasia holds dear. And that’s before the first dead body turns up.

Craft projects included.

Buy Links

Amazon: https://amzn.to/3fwHR7X

Kobo: https://www.kobo.com/us/en/ebook/a-sew-deadly-cruise

Nook: https://www.barnesandnoble.com/w/a-sew-deadly-cruise-lois-winston/1137427499?ean=2940162697930

Apple iBooks: https://books.apple.com/us/book/a-sew-deadly-cruise/id1526052822

USA Today bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry.

Website: www.loiswinston.com

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Killer Crafts & Crafty Killers blog: www.anastasiapollack.blogspot.com

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Twitter: https://twitter.com/Anasleuth

Goodreads: https://www.goodreads.com/author/show/722763.Lois_Winston

Bookbub: https://www.bookbub.com/authors/lois-winston

Writers and Our Mentors

Over the last few weeks I’ve come across more than one article on writers and their influences. Every writer has one person we consider a mentor whether we acknowledge them as such or not. We usually think about mentors as the person who stands over us, and guides us in negotiating the world as it appears to a beginner. But in writing, the influence is both more subtle and more complicated.

James Crumley, like many others, thinks of Raymond Chandler as his lamp on the highway of narration, and William Zinsser thinks of E. B. White and his light tone before he begins work. R. V. Raman grew up reading Agatha Christie, Sherlock Holmes, and other writers of the Golden Age, which spurred his longing to write a traditional mystery set in India. Dorothea Brande talks about influences in more specific terms.

After warning the writer against imitating others in Becoming a Writer, she suggests the beginner analyze her work for its weaknesses and then seek out those who have the skills she lacks. If your dialogue is wooden or uninteresting, pick up a book by a writer known for riveting, revealing dialogue, and discover that no two people speak exactly alike. The distinction is more than the occasional vocabulary item, and a good dialogue will challenge the reader. I thought about her advice when I began working on Below the Tree Line: A Pioneer Mystery, which is set in a rural area quite different from where I live though I know it fairly well. My love of the traditional mystery, by writers such as Christie, Ngaio Marsh, and others, should be obvious. But others also played a role.

Although many writers spend time setting a scene in the mountains or along the ocean, few use it as a character as well as a now-forgotten English writer, P.M. Hubbard. Published in the 1960s and 1970s, he often set his stories in a natural world of both beauty and danger. His final scenes of The Quiet River have stayed with me over the years, a reminder of how powerful nature can be not only in shaping a story by challenging characters but also by undermining their civilized veneer, and washing away illusions of control and safety.

No story or novel is written today without influence from other fiction even if the story line is based on a true story. When I think of The Scarlet Letter, I wonder if Hawthorne was thinking of Edgar Allan Poe, whose crime tales and other work he admired. This classic novel reads to me as an early crime novel, with Chillingworth, the outraged husband, appearing as a secret sleuth out for revenge. He investigates, zeroes in on a suspicious situation, and moves closer to a suspect, driving this man further into despair. I’m not the first one to have entertained this idea. I just like the sense of writers working in conversation with others, learning from each other and engaging in a dialogue with our predecessors in our narratives.

Guest Author – Jacqueline Seewald

I’ve been asked how I came up with the main character in my mystery series.  I originally got my inspiration to write a mystery novel with an academic librarian as amateur sleuth during the time of my library studies at Rutgers University. Completing my MLS degree, I was required to attend symposiums. One speaker was a Princeton University librarian who spoke on the subject of inferno collections. His lecture was so fascinating and vivid that I was inspired to do further research. I became convinced the concept of inferno collections would be an excellent frame for a mystery novel and that no one else had written anything similar. (Briefly, inferno collections are banned books considered inappropriate for general public display and reading. Often these were books deemed salacious and kept separate or hidden in libraries under lock and key).

My novel THE INFERNO COLLECTION was the first in the Kim Reynolds series.

It was published in hardcover by Five Star/Gale, who published two more of the novels in the days when they did mystery fiction. All three of the books received fine reviews. They were also picked up by Harlequin Worldwide Mystery for paperback editions and distribution.

Kim Reynolds isn’t me. She’s a creation of my imagination, as are the other characters in the series. There are now five mystery novels with Kim as the main protagonist. The fifth novel, BLOOD FAMILY, was recently released by Encircle and has also garnered excellent reviews.

Blood Family

A Kim Reynolds Mystery

Blood Family is Jacqueline Seewald’s fifth Kim Reynolds Mystery. Kim, an academic  librarian, is intent on finding her biological father. Unfortunately after locating him, James Shaw dies unexpectedly. It is up to Kim to connect with the family she has never known. In doing so, she discovers a half-sister who is in need of her emotional support. Kim is concerned that Claire Shaw is being exploited and wants to help her. Kim also learns that Claire’s stepmother died under mysterious circumstances and her stepbrother disappeared. When Kim becomes involved, her life is placed in danger. Kim’s fiancé, Lieutenant Mike Gardner, Wilson Township homicide detective, investigates along with Sergeant Bert St. Croix.

Amzon but link: https://www.amazon.com/dp/1645990435

Encircled buy link: http://encirclepub.com/product/bloodfamily/

Multiple award-winning author, Jacqueline Seewald, has taught creative, expository and technical writing at Rutgers University as well as high school English. She also worked as both an academic librarian and an educational media specialist. Twenty of her books of fiction have been published to critical praise including books for adults, teens and children. Her most recent mystery novels are DEATH PROMISE and BLOOD FAMILY. Her short stories, poems, essays, reviews and articles have appeared in hundreds of diverse publications and numerous anthologies such as: THE WRITER, L.A. TIMES, READER’S DIGEST, PEDESTAL, SHERLOCK HOLMES MYSTERY MAGAZINE, OVER MY DEAD BODY!, GUMSHOE REVIEW, LIBRARY JOURNAL, PUBLISHERS WEEKLY and THE CHRISTIAN SCIENCE MONITOR. She enjoys painting landscapes and singing along to all kinds of music. Her writer’s blog can be found at: http://jacquelineseewald.blogspot.com

Push the Limits by Paty Jager

I have written two mystery series with Native American characters, while I am not Native American. I’ve read books by Native American authors, have a friend who lives on the Colville Reservation with her Native American husband, and I have lived in an area that has so much Native American history I feel it seeps into you.

But I am facing my biggest challenge as a writer, now, when it is more politically correct to be of the same heritage as the characters you write.

I started slowly, with my heroine, Shandra Higheagle being only half Native American so I could have her raised without that influence and have her discover it as I did writing her story.

Paiute Dancer photo by me

But I felt the area where I grew up, needed more exposure about the people who lived and were stewards of the land before if was favored as lush feed for cattle. And that was how my character, Gabriel Hawke, came to be. He is of Nez Perce and Cayuse heritage. He is working as a State Trooper with the Fish and Wildlife Division in Wallowa County, the land where his ancestors summered and winter. While he hasn’t lived on the reservation since graduating high school, I feel I can pull off his loyalty to his ancestors and still have him respect his culture but not be fully immersed in it.

Now, as I am writing the last Shandra book and moving onto a new character, I have to tame the lump in my gut and start contacting people on the Umatilla Reservation. My next character will be living and working on the reservation. I will need first hand knowledge to make this character ring true and to make her not only show the life of someone trying to end the cycle of prejudice and move on, but also someone who values her people’s culture.

That my writer and reader friends is what I will be trying to achieve the next few months. Connecting with people who are willing to allow me into their world and to show a life that I am not a part of but believe in.

Wish me luck! And let me know if you have anyone on the Confederated Tribes of the Umatilla Reservation who would be willing to help me. I’m sending out feelers this week.

Guest Author – Tara Lush

Write What You Know (And always listen to your best friend)

By Tara Lush

When I first started writing fiction six years ago, I turned to romance. It was a genre that I’d read and loved — along with mystery and true crime, of course. When I told my oldest friend about my plan to write a steamy novel, she scrunched up her face.

“Why aren’t you writing crime fiction?”

It was an excellent question. I’ve been a newspaper and wire service journalist in Florida for two decades, with many of those years devoted to the weird, the horrific, and the criminal. I’ve covered many of the state’s biggest crime stories. High-profile ones such as Casey Anthony and Trayvon Martin. Lesser-known murderers who had abducted children and those who attacked fellow citizens in a drug-induced haze. I’ve also covered eleven mass shootings (including Parkland and Pulse) and witnessed thirteen executions in Florida’s death chamber.

“Pfft. Why would I write crime fiction?” I asked my friend. “It’s too depressing. Too much like my day job. I want to do something different. My muse is telling me to write about sex.”

And yet, my muse told me to write a romantic suspense for my first novel. I moved on from there, writing contemporary romance and erotic romance. And while I had some measure of success — a RITA finalist book in 2018 — it never felt a hundred percent right, either.

In 2019, I was on a trip to Vermont and sitting around my best friend’s house. I was musing aloud about my next steps for my fiction career. Self-publishing contemporary romance was increasingly difficult and competitive, I told her, and writing the happy-ever-after between the couple wasn’t as satisfying as it had been in previous years. I wanted to tell a story about justice, but with humor and nuance.

I’d recently finished a series about couples in a quirky Florida town, and let’s just say the eccentricities of the characters weren’t resonating with romance readers. I was frustrated.

“What about a mystery novel?” my friend asked.

I mulled this over for the entire month of August while I was on a monthlong vacation. I’d been reading Kathy Reichs’ Deja Dead, and although I loved it, I couldn’t imagine myself writing something so dark. There was the matter of the day job trauma, after all. But what if I could write something softer, something with a little romance and a twisty murder… something gentle.

A cozy mystery, perhaps?

While sitting in a café in Quebec City and drinking the best espresso I’d ever had, I sketched an outline for my cozy. I used my experience as a crime reporter to plot the murder. First I chose a victim. Then I chose a murderer. I worked backwards with the details and clues, thinking about all the police reports I’d read over the years, all the news conferences I’d been to, and all the cops I’d chatted up. Suddenly everything made sense.

You know those wooden puzzle boxes, the ones that seem so hard to open? That’s what my brain felt like. Each clue, each detail, unlocked something inside my creative soul in a way that romance didn’t. I was able to blend my quirky characters and my love of a Florida setting with a murder and a romantic subplot. Justice as an HEA was more alluring than a fictional marriage proposal.

What was this sorcery?

That fall, I wrote my cozy mystery and in March of this year, sold it to Crooked Lane Books.

The lesson here is to always listen to your best friend. And perhaps, listen to what your muse is whispering.

Barista Lana Lewis’s sleuthing may land her in a latte trouble as Tara Lush launches her debut mystery series.

When Lana Lewis’ best — and most difficult — employee abruptly quits and goes to work for the competition just days before the Sunshine State Barista Championship, her café’s chances of winning the contest are creamed. In front of a gossipy crowd in the small Florida town of Devil’s Beach, Lana’s normally calm demeanor heats to a boil when she runs into the arrogant java slinger. Of course, Fabrizio “Fab” Bellucci has a slick explanation for jumping ship. But when he’s found dead the next morning under a palm tree in the alley behind Lana’s café, she becomes the prime suspect.

Even the island’s handsome police chief isn’t quite certain of her innocence. But Lana isn’t the only one in town who was angry with Fabrizio. Jilted lovers, a shrimp boat captain, and a surfer with ties to the mob are all suspects as trouble brews on the beach.

With her stoned, hippie dad, a Shih Tzu named Stanley, and a new, curious barista sporting a punk rock aesthetic at her side, Lana’s prepared to turn up the heat to catch the real killer. After all, she is a former award-winning reporter. As scandal hangs over her beachside café, can Lana clear her name and win the championship — or will she come to a bitter end?

Preorder here: https://www.penguinrandomhouse.com/books/667052/grounds-for-murder-by-tara-lush/9781643856186/

Tara Lush is a journalist with The Associated Press. Her debut cozy mystery, GROUNDS FOR MURDER, will be published Dec. 8. learn more about her and her books here: