Guest Blogger ~ Julie Weston

The Nellie Burns and Moonshine Mystery series began one full moon night. My husband and I had visited Galena Lodge in south central Idaho, near where we live, for a full moon dinner. On our way back down from this mountain pass between the Boulder Mountains and the Sawtooth Mountains, we stopped at Last Chance Ranch. My husband is a photographer and he longed to take a photograph of this ranch in the moonlight and snow. No lights were lit, so we climbed through the fence, he carrying his large format camera, tripod, and other camera gear. As he set up the camera to take the photograph, I watched the house and decided there could be a dead body in there. And lo, my Moon series of books began.

My protagonist is a young woman photographer who comes west from Chicago in the early 1920s. She yearns to be an artistic landscape photographer. Photographing Moonshadows (the name of the first book in the series) is high on her list. In addition to my husband, I have a line of photographers in my family on my maternal side, who came first to Idaho in the 1870s on their way to Oregon via wagon train. They stopped in Boise and never left Idaho. My grandmother and mother were born there, and I grew up in North Idaho in a mining town. The photographers in my family were named Burns. In early North Idaho, a woman photographer arrived from Chicago. Her name was Nellie Stockbridge. And lo, I had my first character: Nellie Burns.

Author in a mine near where she grew up.

Other characters turned up almost immediately: Rosy Kipling, a retired miner from Hailey (our hometown now); Charlie Asteguigoiri, the Basque sheriff for the county; Goldie Bock, the owner of a rooming house in Ketchum; a Chinese mother and son; a sheep rancher, and other persons of interest. Nellie and her photographs help solve the mystery of the dead man at the ranch, along with Moonshine, a black Labrador dog, that Nellie adopts. He becomes her constant companion. And lo, I have a sidekick.

The second and third books in the series live in Idaho—in the Stanley Basin (Basque Moon) and in Craters of the Moon (Moonscape). Each time the landscapes become characters as well, partly because of my heritage and partly because I live here after having practiced law in Seattle for many years. My books have each won honors, including Basque Moon, which was a WILLA winner in historical fiction.

My latest book, MINERS’ MOON, coming out in December, 2021, grew out of my mining town of Kellogg. I descended the mines a while ago, and all I did and learned then became the basis for this newest book. Rosy, Charlie, and Nell get tangled up in two investigations: a mine explosion where several miners are killed, and bootlegging the federal revenuers seek to stop.

Idaho has so many wonderful and strange places and history, I see no end to my Nellie Burns and Moonshine series.

Miner’s Moon

Crime photographer Nellie Burns and Basque Sheriff Charlie Asteguigoiri travel from central to northern Idaho to investigate bootlegging and possible complicit town officials. A suspicious mine explosion pulls them into a second investigation. Retired miner Rosy Kipling joins them, bringing Nell’s black Lab Moonshine.

While Charlie roams the backcountry in search of illegal stills, Nell questions survivors of the explosion and a madam. Rosy descends the principal mine to listen and pry. The two investigations lead all three to discover secrets and lies—from “soda drink” parlors, local brothels, worker hints deep in the mine shafts—that have deadly consequences. Predictably, Nellie gets in over her head. A rock burst seals off Charlie and Rosy in a mine collapse. Moonshine plays an instrumental role, and Nellie tries to rise to the occasion in spite of her debilitating fear. All four long to return to their high desert home, but cannot until they lay bare the crimes before their luck runs out.

Buy Links:

Indiebound:  https://www.indiebound.org/book/9781432888046

Amazon:   https://www.amazon.com/Miners-Nellie-Burns-Moonshine-Mystery/dp/1432888048/ 

Five Star Publishing:  gale.orders@cengage.com

Julie Weston’s publications include mysteries set in Idaho in the 1920s, a memoir of place about Kellogg, Idaho, where she grew up; and a coffee table book with her photographer husband, Gerry Morrison. Essays and Stories have appeared in a variety of journals, including The Threepenny Review, The Saint Ann’s Review, IDAHO magazine and others.

Awards for Weston include the WILLA Award for Historical Fiction, Story Circle Finalist award for Moonshadows, Foreword Bronze Award for Mystery and Honorable Mention for her memoir in the 2009 Idaho Book of the Year Award, among others.

Social Media:

Facebook: Julie Weston and JulieWestonAuthor

Instagram: westmorjw

Email: westmorjw@aol.com, juliewweston@gmail.com

www.julieweston.com

www.bigwoodbooks.com

Ideas Knocking at My Creative Self

There are times, like now, when I wish my creative self would take a vacation. However, I also don’t really want all of my creative self to go away. After all, I need that part of my brain to help me write books.

It’s the part of my brain that comes up with story ideas that could take a rest. While going through the final edits on my newly released Gabriel Hawke book, Churlish Badger, I came up with the premise for the next two books in that series. Which is awesome because that means I will have two more books in that series. 😉 The bad part is I’m so excited about them, it’s hard to concentrate on the Spotted Pony Casino book, House Edge, I’m writing now. Sigh.

I can never seem to write as fast as my ideas hit. An idea can come out of nowhere in seconds, but a book takes a good month to prepare and research, then another three (without interruptions) to write. That means, I have about two more months of finishing House Edge, to do the research for the next Hawke book and start writing it in February, if all goes as planned.

When it is written, then I’ll start on book 3 in the Spotted Pony Casino Mysteries, Double Down, which I started the premise for it in House Edge, which made me want to start on that book…. Yes, it is a never ending cycle for me. I get excited about the next book in a series, then have to wait to write it because, (oh, now why did I decided to write two series at once?) I have to write the next book in the other series.

I’m sure there are other writers out there nodding their heads. Yes, we understand, there are those of us who can’t work on one series at a time. Heaven forbid, we should get bored of that series and not want to write the next book. So we juggle, two, or three, or more series at once to keep the monotony of writing about the same characters all the time from becoming tedious.

As Churlish Badger publishes and House Edge is being written, I have three more books churning in the back of my mind. This is how I have spent most of my writing career. Always writing with two to three books on the back screen of my brain, fading in and out, as I dissect the new characters, plot, and setting. And I do the research for the next book while I’m writing another. If only I could plug into my brain and have it all pour out onto a computer screen.

Churlish Badger

Book 8 in the Gabriel Hawke Novels

An abandoned vehicle…

A missing man…

Oregon State Trooper Gabriel Hawke discovers an abandoned vehicle at a trailhead while checking hunters.

The owner of the vehicle never arrived at his destination. As Hawke follows leads, he learns the man was in the process of selling his farm over the objections of his wife who said he would only sell over her dead body.

Continuing to dig for clues, Hawke turns up two bodies buried on the farm. Who killed the two and why keeps Hawke circling for answers, backing the killer into a corner.

Buy link:  https://books2read.com/u/mZZx2l

Guest Blogger ~ Thonie Hevron

Be Careful What You Wish For
I’ve been writing stories since I could hold a pencil. I remember getting a 5th grade class assignment during a mythology segment. We were to write a myth. I wrote a story, “How the Leopard Got His Spots.” All I remember now is the main character was up a tree in a jungle, hiding from a leopard prowling around beneath him. The character had a bucket of black paint and was shaking with fear, so much that he dribbled paint on the animal. I got an A+.

Years later, I still wrote but rarely completed a work of fiction. I’d written procedural manuals for work. I’d spent two decades in law enforcement in Northern California, mostly Sonoma County. By 1994, my husband and I were planning our retirement—still years away, in the Eastern Sierras. We were tired of the traffic and congestion of the Bay Area and wanted a more peaceful setting. When my firefighter husband suffered a career-ending injury, we stepped up plans to retire. Until I qualified to retire, I accepted a job as a dispatcher at a small police department. In less than a year in the Sierras I found myself so homesick that even the catastrophic floods of 1996-97 in my old neighborhood made me want to be back in Sonoma County. I’d worked three previous floods and missed helping during the disasters.

One night on a quiet graveyard shift, seeking a bit of consolation, I scratched out a description of a Russian River (Sonoma County) home I saw in a magazine. The seed of a story germinated, and I wrote the story. That tale became By Force or Fear, the Nick and Meredith Mysteries, about a Sheriff’s detective Meredith Ryan (and her partner Nick Reyes) stalked by an influential judge.

Since my husband and I moved back in 2004, I’ve written and published a total of four books—all set mainly in Sonoma County. If I dare simplify my goal for writing these stories, it’s to humanize the people behind the badge. By the time I retired, I had thirty-five years of service as a civilian law enforcement employee. I worked as a Parking Enforcement Officer (yes, meter maid), Dispatcher, Records Supervisor and Community Service Officer. I’d known scores of police officers, male and female, sheriff’s deputies, FBI, ATF and other alphabet soup agencies. My observations over the years varied with the faces that I saw—some decent, dedicated officials who wanted to make a positive difference in people’s lives. Others not so much, but the vast majority came to work every day with commitment. I wanted to write about them and do my part to discourage the “Die Hard” stereotype. Thus, Nick and Meredith were born.

I know I’d have picked up a pencil sooner or later in my life. But I’m darn certain that homesickness played a huge part in jump-starting my writing. Be careful what you wish for—you might get something entirely different and better!

In this fast-paced story, sheriff’s detective Meredith Ryan surprises an intruder leaning over her baby’s crib in the middle of the night. Unable to catch him, she launches a dangerous journey to protect her family. The death of her father the next day leads her to look into his past where she discovers her father was involved in a robbery and homicide many years ago. Working through a web of deceit and mystery, she discovers the robbery and homicide are connected to the mysterious man in her nursery. With Nick, her husband, they unravel her father’s involvement in the robbery/homicide. The loot from the robbery has been long sought by competing crime rivals who are trying to use her family as bargaining chips. Meredith and Nick must find the truth in the next 24 hours before the criminals close in on her family.

Buy links: https://www.amazon.com/gp/product/B08ZJW2YRR

Thonie Hevron’s law enforcement experience is the inspiration for suspense novels based on the lives behind the badge. A Sonoma County resident for over thirty years, she lives in the historic Northern California Town of Petaluma with her husband and two dogs and a cat. Dressage and travel are her real-life passions outside of family and writing.

Her four thrillers, By Force or Fear, Intent to Hold, With Malice Aforethought and newly released Felony Murder Rule are award winners at the Public Safety Writers Association Writers (PSWA) Writers Contest in 2012, 2014, 2016, 2018, 2020 and 2021. All books are available in bookstores and on Amazon.com.

Website: www.thoniehevron.com

Facebook: ThonieHevronAuthor page

Guest Blogger ~ Jennifer Worrell

Atmosphere is the most delicious aspect of any book. I connect strongly with stories that envelop me into its world and make me feel like I’m living it along with the character.  I like to unsettle readers and immerse them in the same way, so they feel there’s no escape until they reach the last page. 

I wanted to write a modern noir inspired by the black and white movies and dark fiction of the 40s and 50s, The danger lurking in the quiet corners, the unspoken emotions, the dialogue delivered in short patter, hits all the right buttons for me.  So I was pleased as punch that someone called it “Midwest noir” in a review. 

My protagonist, Val, came from my enjoyment of reading characters that are a little off-center.  People who are not so nice, with twisted thoughts and less-than-savory motivations, yet not quite villains.  Characters who are less than successful, especially when they don’t realize how much.  They feel more like real people than we’d maybe care to admit. 

His love interest, Sandra, as well as his agent, Graham, are both antagonists as well as the story’s brighter characters.  Though I consider Sundown pretty dark, they counteract the shadows with a little lightheartedness.  Sandra’s dry wit was fun to write, and Graham is the type of friend anyone would be grateful to have in their corner.

The idea for the plot came from asking “what if” to things I was seeing on the news at the time.  Val (a much more successful author than I am) decides to write a dystopian conspiracy thriller about the crime rate in his city, with a nameless society covertly ending the lives of its residents when they no longer serve a purpose.  Being an older gent himself—Val’s personal “last chapter” looming closer than he’d like to admit—this concept feels urgent and chilling.  Unfortunately for him—and quite a few other people—the idea isn’t new.  It isn’t fiction.  And the members of this society are prepared to do whatever it takes to keep Val’s book from hitting shelves and revealing their secrets.

One of my favorite subgenres to read is the fugitive story.  Although Edge of Sundown doesn’t qualify in the traditional sense, a few of the final chapters have that feel, and they contain some of my favorite scenes.

I’m pleased to announce there’s a promotion going on until November 15.  Click here for a chance to win a $260 Amazon gift card.  Later this month, Edge of Sundown will be discounted to celebrate my publisher’s tenth anniversary.  Subscribe to my newsletter for an update.

Val Haverford’s sci-fi and western novels made him a household name. But that was then. A decade of creative stagnation and fading health has left him in the literary wilderness. Attempting to end his dry spell and secure his legacy, Val pens a dystopian conspiracy theory set in a tangential universe where alien invaders eliminate ‘undesirables’ perceived as drains on society. But as he digs deeper into violence plaguing his adopted home of Chicago, he discovers unsettling similarities between his work in progress and a life he thought he left behind. Soon he finds his fictional extremists are not only real—they’re intent on making sure his book never sees the light of day. As he pieces together haunting truths about his city and his motives, Val realizes his last chance to revive his career and reconcile the past could get him—and the people he loves—killed. Will he make the right choice? Or will it be too late? Edge of Sundown is a provocative story that shows how the desperation of lost opportunity can lead to drastic and unexpected consequences.

If Jennifer were to make a deal with the Devil, she’d ask to live—in good health—just until she’s finished reading all the books. She figures that’s pretty square. In case other bibliophiles attempt the same scheme, she’s working hard to get all her ideas on paper. She writes multi-genre fiction and is currently working on a sci-fi novel and a handful of picture books that may or may not be suitable for children. Edge of Sundown is her first novel. Her short fiction and essays appear in Write City MagazineWriting DisorderRaconteurLittle Old Lady Comedy and Beneath Strange Stars.

Socials: Facebook, Instagram, Twitter, Website

Buy link: mybook.to/edgeofsundown

Not Just a Pretty Face

I’ve been taking online workshops through the International Thrillerfest Online school. While a couple of topics are ones I’ve attended workshops on before, each presenter has their own unique spin they bring to it. Which means, I have picked up a few new tricks and things to try.

The first one was a workshop by Adam Hamdy on Pacing. While I had learned about most of what he talked about before, it was his discussion on how he went from a pantser (someone who just starts writing with no idea where they are headed) to someone who does plot out the book in a basic way. Not an outline or thorough scene by scene . He writes the tag line then expands that a bit, then expands that a bit more, until he has 5-7 lines for each chapter with the action or external plot of the story and maybe some of the internal plot that will play out.

I decided to try this for the latest book I’m working on. I’ve always known my beginning, a couple of plot points in the middle, and my end, but when he said by taking the time to do this step speeded up his writing process, I thought it was worth a try. And the last book I had so many interruptions, I’d repeated myself in several places- which was discovered by a beta reader.

It took me two days to discover what my book was about, write up my suspect list, and write the 5-7 sentences per chapter. This is just the investigation, or external plot, that will be brought up in each chapter. After starting the book, I added in a new secondary character who will help add more dimensions to my main character and also add more internal conflict in House Edge, book 2 in the Spotted Pony Casino Mysteries.

And you were wondering where the title of this post came from… A bonus workshop we received dealt with what mystery/suspense/thriller readers look for in a book cover. I found the information insightful. So much so, I sent an email to my cover designer to redesign the first three covers in the Spotted Pony Casino Mystery series. I have Poker Face published and available to the public but it is the first book. I decided it was best to get it and the next two I’d had made to get a consistency in the series from the beginning.

Here are the books I had made before the workshop:

These aren’t bad and convey a bit of the story. However, the survey taken by a marketing firm who works with all the big publishers and some of the larger writing organizations said that mystery/suspense/thriller readers don’t care if the image on the cover is anything like what’s in the book. They read the title first. They want a title that catches their imagination and is a play on words. Check- my titles do that. They don’t like people/faces on the books. They don’t mind shadowy figures and prefer covers that look like a puzzle. They want to see creepy, mysterious, or action depicted on the covers. And they prefer a description of the type of book: Mystery, Thriller, True Crime, Action Adventure, Suspense not A Novel.

And these are the new covers:

Simpler images, in-the-face title, and the word Mystery is easier to see than in the logo that sweetened the look of the books. These covers also leave more to the imagination.

I’m glad I had this workshop now and not a year from now when the fourth book would be coming out.

And I’m thankful I went with simple covers on the Gabriel Hawke books and I have a play on words for the titles.

It might be just a book cover, but it is the face of the book I want to draw readers into. So while pretty is nice, I want a cover that exudes mystery, intrigue, and a reader can’t pass without at least taking a peek inside.

What do you think of the change of cover?