Guest Blogger ~ Heather Weidner

With a Little Help from Some Friends

Heather Weidner, Author of the Jules Keene Glamping Mysteries and the Mermaid Bay Christmas Shoppe Mysteries

I am extremely grateful for all the authors who have shared their ideas, advice, and successes with me through the years. Writing is mostly a solitary process, so it’s nice to know that you’re not alone and that others have experienced what you’re going through. Here are some tidbits that I’ve picked up through the years that have helped me improve my craft and to stay focused.

When I’m working on a new novel, I plot out a simple outline. I learned from Donna Andrews to color-code the different kinds of action in your outline, so you can see it over the course of the book. For example, I mark all romantic elements with pink, humorous items are orange, clues are green, etc. It helps create a visual as you write, and it shows you where you’re missing elements or when you’ve overloaded the story.

I learned from Mary Burton to keep a running list of over-used words. Add to it as you write, and then at the end of each revision cycle, search your document and remove the culprits. She also calls your first draft the “sloppy copy.” Typing “the end” doesn’t mean you’re finished. It’s the beginning of the revision cycle.

I learned from the late Kathy Mix to keep a list of character names for each book. Her rule was to name each character with a different letter of the alphabet. If she already had a Krissy, then she couldn’t have another character whose first name started with a “K.” I build a chart of characters for each book and note where the characters appear. I also create a list of key locations. I enter all the important facts, so I can keep track of the details.

Mary Miley gave me some great advice about honing dialogue. She recommends cutting out the unnecessary pleasantries and chitchat that don’t move your story forward.

Elaine Viets said to know your genre and who is publishing in it. Do your research and know the conventions before you query agents or publishers.

Lynda Bishop recommends that authors keep a timeline for each book to make sure all events are in order and make sense. This helps with pacing. This helps me keep the days straight (so the character doesn’t have lunch two times in the same day).

Tina Glasneck suggests that authors create a calendar for each book launch. Mine starts three months before the launch and runs three months after. Plan all events, interviews, blogs, and media campaigns. Make sure that you track the details.

Jane Friedman tells writers that their platform grows from their body of work. An author’s website and blog should be at the center of all of your marketing.

Frances Aylor and Alan Orloff gave me the best advice for writing. Butt glue (Frances) or BICFOK (Alan). They’re essentially the same. If you want to be a writer, put your Butt in the Chair and Fingers on the Keyboard.

Hollywood has come to Fern Valley, and the one stoplight town may never be the same. Everyone wants to get in on the act.

The crew from the wildly popular, fan favorite, Fatal Impressions, takes over Jules Keene’s glamping resort, and they bring a lot of offscreen drama and baggage that doesn’t include the scads of costumes, props, and crowds that descend on the bucolic resort in the Blue Ridge Mountains. Added security, hundreds of calls from hopeful extras, and some demanding divas keep Jules’s team hopping.

When the show’s prickly head writer ends up dead under the L. Frank Baum tiny house in what looks like a staged murder scene with a kitschy homage to the Wizard of Oz, Jules has to figure out who would want the writer dead. Then while they are still reeling from the first murder, the popular publicist gets lost after a long night at the local honky-tonk and winds up strangled. Jules needs to solve both crimes before filming is canceled, and her business is ruined.

Book Links

Amazon: https://www.amazon.com/dp/1685122000

Amazon: https://www.amazon.com/dp/B0BHLSYBZ9?ref_=pe_3052080_276849420

Barnes and Noble: Film Crews and Rendezvous: A Jules Keene Glamping Mystery by Heather Weidner, Paperback | Barnes & Noble® (barnesandnoble.com)

BookBub: Film Crews and Rendezvous: A Jules Keene Glamping Mystery by Heather Weidner – BookBub

Books a Million: film crews and rendezvous : : Booksamillion.com

Bookshop.org: https://bookshop.org/shop/heatherweidner

Fantastic Fiction: Film Crews and Rendezvous (Jules Keene Glamping Mystery, book 2) by Heather Weidner (fantasticfiction.com)

Goodreads: Film Crews and Rendezvous by Heather Weidner | Goodreads

Kobo: Film Crews and Rendezvous eBook by Heather Weidner – EPUB | Rakuten Kobo United States

Scribd: Film Crews and Rendezvous by Heather Weidner – Ebook | Scribd

Through the years, Heather Weidner has been a cop’s kid, technical writer, editor, college professor, software tester, and IT manager. She writes the Jules Keene Glamping Mysteries, the Mermaid Bay Christmas Shoppe Mysteries, and the Delanie Fitzgerald Mysteries.

Her short stories appear in the Virginia is for Mysteries series, 50 Shades of Cabernet, Deadly Southern Charm, and Murder by the Glass, and her novellas appear in The Mutt Mysteries series.

Originally from Virginia Beach, Heather has been a mystery fan since Scooby-Doo and Nancy Drew. She lives in Central Virginia with her husband and a pair of Jack Russell terriers.

Social Media Links

Website and Blog: http://www.heatherweidner.com

Twitter: https://twitter.com/HeatherWeidner1

Facebook: https://www.facebook.com/HeatherWeidnerAuthor

Instagram: https://www.instagram.com/heather_mystery_writer/

Goodreads: https://www.goodreads.com/author/show/8121854.Heather_Weidner

Amazon Authors: http://www.amazon.com/-/e/B00HOYR0MQ

Pinterest: https://www.pinterest.com/HeatherBWeidner/

LinkedIn: https://www.linkedin.com/in/heather-weidner-0064b233?trk=hp-identity-name

BookBub: https://www.bookbub.com/authors/heather-weidner-d6430278-c5c9-4b10-b911-340828fc7003

TikTok: https://www.tiktok.com/@heather_weidner_author?lang=en

Guest Blogger ~ A.M. Reade

THE BEST OF BOTH WORLDS

I recently took an online quiz designed to determine whether I am a right-brained or left-brained person. There were probably a thousand other things that might have been a better use of my time, but I was intrigued (Clickbait, you’ve come to the right place). In a nutshell, right-brained people tend to be the more creative types, whereas left-brained people tend to be more analytical.

You may have seen this quiz, or recall one very much like it from 2015. People are shown a photo of a sneaker and asked what they see: is it gray and teal, or is it pink and white? Back in 2015, it was the dress. Did you see a blue and black dress or a white and gold one? If you don’t know what I’m talking about, Google it. You’ll see what I mean.

In a brilliant illustration of what it’s like to be me, the sneaker and dress quizzes indicate that I fall into both right-brained and left-brained camps—or neither, depending on how you look at it.

In all seriousness, though, everyone has both right- and left-brain capabilities, though one side or the other happens to be dominant in most people. I honestly don’t know which is my dominant side.

I used to consider myself a left-brained person: verbal, analytical, and (somewhat) organized. That makes sense—I practiced law before turning to writing fiction, and the law is very logic-based. I know, I can hear you laughing from here, but it really is true, at least in a courtroom setting. Writing a novel requires a certain amount of logic, too. A writer’s job is to come up with a plot and a story arc that make sense to the reader.

The longer I’m away from the law, though, the more I find myself doing things like handicrafts and gardening and artwork and experimental cooking (I like to tweak or make up recipes just to see what will happen) in my spare time. These are typically considered right-brained activities.

This got me thinking: where does that leave the zealous lover of mystery fiction?

And here’s what I’ve decided: writers and readers of mysteries get to experience the best of both worlds (both sides of the brain) simultaneously.

The act of writing satisfies and exercises both analytical and creative muscles, as does the act of reading. Is there anything better than finding yourself immersed in a story, following along as if you’re part of the action? Whether you’re writing that story or reading it, you’re using both sides of your brain. You’re walking the logical path of the plot from beginning to end, puzzling out the clues, and you’re using your imagination to experience the sights, sounds, scents, and tactile sensations of the setting.

If you’re a writer, you’ve done your job if a reader comes away with a feeling of satisfaction. If you’re a writer of historical mysteries, as I am, you’ve done your job if the reader also learns a little something in addition to enjoying the mystery.

If you’re a reader, you’ve done your job if you’ve simply paid attention to the story. You’ve very likely used your imagination without even realizing it. This is left- and right-brain exercise at its best.

It turned out to be a good thing for me to take that sneaker quiz because it led me down the rabbit hole of research into how people use different parts of their brains. It got me thinking of the ways in which I use my own brain.

If you’re reading this post, you probably love mysteries. You use your whole brain when you read. So where do you see yourself on the left-brain/right-brain spectrum? What do you do in addition to reading? Are you a stock analyst? Are you a painter? Does (or did) your day job exercise a different part of the brain than the part you use when you read? I’d love to hear your thoughts. Thanks to the Ladies of Mystery for hosting me here today. It’s been a fun post to write and I hope it got you thinking.

CAPE MENACE

The year is 1714. Two years have passed since Ruth Hanover vanished into the wilderness of the New Jersey colony without a trace, leaving behind her husband, William, and their daughter, Sarah.

Though William and Sarah have never stopped hoping Ruth will return, as time goes by it becomes less and less likely they will ever see her again.

Now William is acting strangely. He won’t tell Sarah why he’s conducting business with a mysterious stranger in the middle of the night, he won’t explain the sudden increase in his income, and he won’t share with her what people in town are saying about her mother’s disappearance.

When the time comes for Sarah to face her father’s secrets and figure out why her mother never came home that December day in 1712, what she learns will shock her tiny community on the New Jersey cape and leave her fighting for her life.

KINDLE: https://www.amazon.com/Cape-Menace-Historical-Mystery-Collection-ebook/dp/B087PJWX7Y

APPLE IBOOK: https://books.apple.com/us/book/cape-menace-a-cape-may-historical-mystery/id1511409624

KOBO: https://www.kobo.com/us/en/ebook/cape-menace-a-cape-may-historical-mystery

BARNES & NOBLE NOOK: https://www.barnesandnoble.com/w/cape-menace-amy-m-reade/1136964165

GOOGLE PLAY: https://play.google.com/store/books/details/Amy_M_Reade_Cape_Menace?id=P3zkDwAAQBAJ

PAPERBACK: https://www.amazon.com/Cape-Menace-Historical-Mystery-Collection/dp/1732690782

Amy M. Reade is the USA Today and Wall Street Journal bestselling author of cozy, historical, and Gothic mysteries.

A former practicing attorney, Amy discovered a passion for fiction writing and has never looked back. She has so far penned three standalone Gothic mysteries, the Malice series of Gothic novels, the Juniper Junction Holiday Cozy Mystery series, the Libraries of the World Mystery Series, and the Cape May Historical Mystery Collection. In addition to writing, she loves to read, cook and travel. Amy lives in New Jersey and is a member of Mystery Writers of America and Sisters in Crime.

You can find out more on her website at www.amymreade.com.

BLOG: https://amreade.wordpress.com/

FACEBOOK: https://www.facebook.com/amreadeauthor

AMAZON: https://www.amazon.com/stores/Amy-M.-Reade/author/B00LX6ASF2

GOODREADS: https://www.goodreads.com/author/show/8189243.Amy_M_Reade

BOOKBUB: https://www.bookbub.com/profile/amy-m-reade

TWITTER: https://twitter.com/readeandwrite

INSTAGRAM: https://www.instagram.com/amymreade PINTEREST: https://www.pinterest.com/amreade/

Guest Blogger ~ Robin Henry

Great mystery/thriller books writers should read… by Robin Henry

It is time for year end lists!  Here’s my list of favorite mysteries and thrillers I read in 2022.  NOTE—I read these in 2022, some of them were published earlier…

Each of these are a great mini-masterclass for mystery writers, too. Each does a wonderful job of keeping the reader curious, building suspense, but without frustrating the reader.  Several of them are also playing with form, like epistolary or traditional historical.  If you want to write a great mystery or just get lost in one for a while, these are all excellent choices.

The Appeal by Janice Hallett

An excellent use of the epistolary form, and just a fun mystery with a load of crazy characters who will keep you guessing.  Definitely recommended for Cozy fans…

Apples Never Fall by Liane Moriarty

Domestic Thriller by the current Queen of the Genre in my opinion.  So many family secrets…but somehow all loose ends are explained and tied up at the end.

The Paris Apartment by Lucy Foley

Need a book that will make you stay up until 2 AM?  Look no further.  This apartment building is creepy and so are the people who live there…

The Bullet That Missed by Richard Osman

You’ll laugh, you’ll tear up, you’ll love every moment you spend with the gang. One of the most fun things about Osman is the observations he makes about the world through the eyes of his characters.  Surrender to it and you won’t be sorry.

Apothecary Melchior and the Mystery of St. Olaf’s Church by Indrek Hargla

English translation by Adam Cullen, English version published by Peter Owen

A finely plotted traditional medieval whodunit.  If you’ve been wishing for a new Father Cædful, try Apothecary Melchior…

Fatherland by Robert Harris

Gritty, alternative history mystery set in the Berlin of a partially victorious Third Reich.  The Cold War looks a little different and the Americans under President Joe Kennedy (mobster father of John, Ted, and Robert) is cozying up to the fascists. The book is simply fantastic and also a little frightening because of the way Harris understands human nature.

See more book reviews along with free writing tools at http://readerly.net

Robin Henry is a librarian and independent scholar turned book coach who loves history and mysteries along with her hot beverage.  You can find out more at http://readerly.net or contact her at readerlybooks@gmail.com 

Voice as Unique as a Fingerprint

My mind spins so many different directions when I’m “stewing and brewing” the next book or chapter. The other day, as browsed the email of free photos from Depositphotos a vector caught my attention. It is in this post. I thought could I use that for anything, and poof! the idea for this post came to mind.

Everyone has a unique to them fingerprint. It is theirs and theirs alone.

The same can be said for a writer’s voice. Not their speaking voice, their style of writing. Some writers use long, elaborate words or sentences. They spin their tales with sinewy prose, weaving the tale in between the actual words on the page. Then there are others who use precise words, short sentences, and graphic descriptions.

No matter what the writer writes there is a telltale “fingerprint” to their writing. Think about some of your favorite authors. Why do you read each one of their books? Is it how the story is worded? The characters? The plotting?

Characters? Plotting? How can that be voice? Again, think about your favorite authors. Do the characters seem similar even if they have different names, backgrounds, and ethnicity? Every author puts a little of themselves into their main and sometimes secondary characters. They can’t help it. Otherwise, how would they be able to describe feelings, emotions, and even the setting around them, if they didn’t allow a bit of themselves to slip into the characters.

And Plotting- You can give five authors the same basic theme for a book and each one would put their own spin on how that theme or plot played out. Again, they would each put their knowledge, feelings, and imagination into that story, making it their own with their unique voice.

I’ve always thought of my writing as simple and engaging- not really having a memorable voice. However, many readers tell me they enjoy the simplicity of my writing. They can see the story as it unfolds and not have to guess what words mean. I take that as a compliment to my style. Especially, when I’ve had several people also say that my books brought them back to reading.

My true voice, I think, is that all my stories are about justice. Not just the bad guy getting what he deserves but also showing the injustices that are in the world. I will throw in a cause here and there in my books to bring it to the attention of my readers. And thankfully, they understand that is what I’m doing. I don’t preach. I reveal the injustice and leave it up to the reader to do more digging if it intrigues them. That is my voice. As unique to me as my fingerprints.

Coming at the end of this month, book 10 in my Gabriel Hawke series, Bear Stalker.

Greed, misdirection, and murder has Hawke rushing to track his sister in the Montana wilderness before she becomes the next victim.

Oregon State Trooper Gabriel Hawke’s sister, Marion, is on a corporate retreat in Montana when she is suspected of murder. Running for her life from the real killer, she contacts Hawke for help. 

Hawke heads to Montana to find his sister and prove she isn’t a murderer. He hasn’t seen Marion in over twenty years but he knows she wouldn’t kill the man she was about to marry.

As they dig into possible embezzlement, two more murders, and find themselves trying to outsmart a wilderness-wise kidnapper, Hawke realizes his sister needs to return home and immerse herself in their heritage. Grief is a journey that must be traveled and knowing her fiancé had wanted Marion to dance again, Hawke believes their culture would help her heal.

You can pre-order it here:

https://books2read.com/u/mdjNzW

Guest Blogger ~ Erica Miner

BRINGING MURDER AND MUSIC TOGETHER

Opera can kill you.

That’s what young violin prodigy Julia Kogan discovers on the night of her debut in the orchestra at the Metropolitan Opera.

Julia is the protagonist in my Opera Mystery novel series. I know her very well. She is my alter ego, my clone: myself at that age, when I first started out as a newbie in the Met Orchestra.

How did a Met Opera violinist morph into a writer of mysteries? The answer lies in a sad story with a happy outcome.

When I was in my twenties, I had the good fortune to be playing in the pit at the Met, where I was privileged to watch and learn from some of the most glittering celebrities ever to grace the opera stage. Rehearsing and performing with the likes of Luciano Pavarotti and Plácido Domingo was an almost daily occurrence, and dreamlike in its splendor. Night after night I watched the dazzling Austrian crystal chandeliers rise to the ceiling, heralding another first act curtain about to rise at the world’s most prestigious opera house. It was hard work but rewarding.

Alas, after 21 years of opera spectacles from Mozart to Verdi to Wagner, injuries suffered in a car accident forced me to give up my Met career. What new creative outlet could I replace it with? It was writing that saved me.

I had always written, since I was a kid in grade school and was placed in an after-school program for Creative Writing. That was when I discovered my love for the art: inventing characters and plot lines and weaving them together to tell stories. Even when I was at the Met, I took writing classes whenever I could fit them into my schedule. That passion for telling stories has not faltered. I never expected it would one day become the key to my artistic survival. Nor did I anticipate that the Met itself would be a source of inspiration for future novels.

While I was at the Met, I had learned something surprising about the venerable institution. When I observed the backstage intrigues that went on behind that famous “Golden Curtain,” I found that in every department of the company, from the biggest onstage stars to the orchestra musicians to the stagehands and more, egos and rivalries ruled the day. These people were always at odds with each other. The place was a musical Tower of Babel.

Take the orchestra, for instance. 100 neurotic musicians thrown together in a hole in the ground, with no light and no air, 7 days a week. You see more of these people than your own families. Sooner or later, someone’s going to want to kill someone. And there were some nefarious goings-on as well. True events that would curl your ears.

How could I not write about this place? I let my wicked imagination take over, and before I knew it, I had created my Julia Kogan Opera Mystery series. Book One, Aria for Murder, takes place at the Met, where neophyte Julia becomes entangled in a murder investigation. When she realizes her probing has placed her in danger of becoming the killer’s next victim, she must use every shred of her inner strength to save her own life.

I could never be as brave or as plucky as Julia. But I have gotten limitless vicarious thrills from concocting jeopardy for her as she survives the Met and, in upcoming sequels, finds danger lurking in the dark corners and hidden hallways of other opera houses. The violinist in me continues to provide the background for my novels. But I consider myself doubly blessed to be a violinist who writes.

Erica Miner, the Agatha Christie of the opera world, continues the genre with a wickedly wonderful, brand-new thriller, Aria for Murder. Mystery and opera lovers alike will be fascinated to move beyond the famous “Golden Curtain” and glam atmosphere of the world’s most prestigious opera house to the dark hallways and hidden stairways of a theatre rife with danger and intrigue.

Excitement mounts as the moment arrives for brilliant young violinist Julia Kogan’s debut in the orchestra of the world-renowned Metropolitan Opera. But the high-stakes milieu of this musical mecca is rocked to its core when, during an onstage murder scene, Julia’s mentor, a famous conductor, is assassinated on the podium.

Julia is paralyzed with grief, but when her closest colleague in the orchestra is named chief suspect, Julia is thrown into high gear and teams up with opera-loving NYPD detective Larry Somers to solve the murder. As the investigation escalates, Julia and Larry are shocked to discover that the venerable opera house is rife with a web of secrets, intrigue, and lethal rivalries.

But when Julia finds threatening notes attached to her music and barely misses being crushed by falling scenery, she suddenly realizes she may be the real killer’s next victim. Then she is forced to act to save her own life—before it’s too late.

Buy links: https://www.amazon.com/Aria-Murder-Julia-Kogan-Mystery/dp/1685121985/

https://www.barnesandnoble.com/w/aria-for-murder-erica-miner/1142495216?ean=9781685121983

Erica Miner is the award-winning author of the Julia Kogan Opera Mystery series. Aria for Murder, her recent release from Level Best Books, has garnered 5-star reviews on Amazon and Goodreads.

https://www.ericaminer.com

https://www.facebook.com/erica.miner1/

https://twitter.com/EmwrtrErica

https://www.instagram.com/emwriter3/