Guest Blogger ~ Terri Benson

I’ve written two historical romances, and read a lot of them growing up, but I also enjoyed mysteries. Somewhere along the line, I picked up a Clive Cussler novel with Dirk Pitt and his classic cars. While the Dirk Pitts stories themselves generally didn’t focus on the cars, there was one mentioned in every book and photos were usually on the back cover. Those books rekindled my interest in the beautiful old cars. I generally go for the pre-1950s cars, not the later muscle cars – a fact that causes some discussion between myself and my husband.

There are quite a few car shows around the Four Corners region where I live, and some of the larger auction houses like Barrett-Jackson and Mecum hold events in Denver, Las Vegas, and Scottsdale – all within a reasonable weekend trip for me. I get my ideas for the cars in my books at these shows, as well as perusing online catalogues, websites, and blogs. Once I have a car in mind, the story seems to come from that.

I’m a bit odd in when I’m starting a book, I almost always come up with the title first, based on the car, or in the case of Pickup Artist, a Marmon-Herrington pickup I saw in Vegas several years ago. If you read the book (and I hope you do!) you’ll find the title has more than one meaning, which is always my goal.

My main character, Renni Delacroix, is a young, pretty, female classic car restorer, who has had to fight her way into the industry for those specific reasons. Her unusual background growing up with a widowed great uncle and his middle-aged son, both of whom were involved in circle track and stock car racing, gave her far more experience with car bodies and engines than most men twice her age. That experience has allowed her to become a top-ten restorer, but it’s left her with a hefty chip on her shoulder after spending years proving herself over and over. She has another, more unusual skill, which gives her even more grief – when she touches a car, she starts to see its history in her dreams. It can be helpful in her chosen career, but has been hard on past relationships, not to mention making her the butt of jokes during her college years and beyond.

Her gift (or curse as she sees it) exposes an old mystery in each book, but doesn’t help much in solving said mystery, or contemporary mysteries she’s involved in. Often, as in The Pickup Artist, those past and present mysteries, separated by decades, end up being related. An eclectic cast of characters (and I mean that literally), both help and hinder Renni with their meddling and advice.

The Pickup Artist

Classic car restorer Renni Delacroix has a unique gift, one kept carefully hidden: when she touches a car, she sees its history. Focused on building her business in the small town of Rampart, Colorado, she hides the truth of her psychic ability.

But when a Marmon pickup is delivered, visions of terrified women jolt her clean off the old truck. She has no choice but to come forward, especially since one the of the women was her best friend, murdered six months earlier. Rennie explains what she sees to Detective Matt Brody. Skeptical, he’s surprised to find evidence the Marmon belonged to a serial killer known as the Rocky Mountain High Killer.

While battling Brody’s suspicions, and her growing attraction to him, Renni uses skills honed hunting down classic parts to unearth the killer. But will she be able to give their identity to Brody before she loses everything,– her job, her home…even her life?

Buy links

https://www.barnesandnoble.com/w/the-pickup-artist-terri-benson/1140930664

https://www.audible.com/pd/The-Pickup-Artist-Audiobook/B09XHSYFBC

A life-long writer, Terri is traditionally and self-published in novel length, plus nearly a hundred articles and short stories published – many award winning. She’s a member of Rocky Mountain Fiction Writers, Sisters in Crime, and Rocky Mountain Mystery Writers, presents workshops at writer’s conferences, and teaches night classes at Western Colorado Community College.  Terri spends her non-writing time working at a non-profit, camping, jeeping, and dirt biking with her junior-high-school sweetheart/husband of 40+ years and a succession of Brittany spaniels. You can find more information on her at https://www.terribensonwriter.com/

Social Media Links

https://www.facebook.com/Terri-Benson-Writer-105857887430017/

https://www.facebook.com/terri.benson.104

Guest Blogger ~ Jane Tesh

Turn On the Ghost Light

            I had been with Poisoned Pen Press since 2004. When the company was bought by Sourcebooks, Sourcebooks did not want to continue either series even though I had many more books to go. As you can imagine, this was a blow, but I was still a Poisoned Pen author and they would accept a standalone. So I got to work.

            This was more of a challenge than I thought. I had been writing my two series since 1995 and loved all those characters. To start over with a new cast was daunting. What would I write about? Where could I set this story? What was something I knew about that I could have fun with?

            The answer to that was community theater. I’ve been in community theater productions for over forty years, so I have a lot of experience to drawn upon. Talk about drama. It is definitely in the theater, especially amateur theater with long-standing feuds and clashing egos. And there is a boatload of superstitions to play with. Now I just needed some characters.

            As soon as I have the right name, I have a character. This happens all the time, and I can’t explain it. I name them, and there they are. So I thought of the name Theodosia “Teddy” Ballard. She told me her neighbor’s cat accidentally burned down her apartment building. She missed her latest job interview, a job she really didn’t want. Her dear grandmother who raised her was going into a retirement facility, and her scheming cousin had taken grandmother’s house. She didn’t have a job or a place to live.

            So I thought of the name of her best friend and actor, Will Selms. When Will arrived, he had the perfect solution. Paula Norwood, stage manager at the local community theater, had recently fallen down the costume loft stairs and died from her injuries. The show desperately needed a stage manager. Teddy could have the job and live in the cottage behind the theater. Problem solved.

            Only Teddy doesn’t know the first thing about being a stage manager. But along with the reader, she learns all about the theater. And of course, every theater is haunted, and before long, Teddy makes the acquaintance of George, the theater ghost. George saw Paula fall and tells Teddy it was not an accident. She decides to solve the mystery.

            Something very unexpected happened during the writing of this book. Teddy and Will started to have a typical love scene when Teddy said to me, “I don’t really want this.” To my surprise, I didn’t want it, either. That’s when I realized I had never wanted it. And then, like Teddy, I found a word for this feeling. Asexual. This opened a whole new part of Teddy’s character and gave me a chance to work through what had puzzled me practically my whole life.

Ghost Light

Theodosia “Teddy” Ballard knows nothing about community theater, but when the stage manager for “Little Shop of Horrors” takes a tragic header down the costume-loft stairs, she agrees to fill in for the sake of her actor friend, Will. Teddy takes the superstitions and swelled heads of The Stage in stride—till she meets George Clancy Everhart, the theater ghost, who informs her that the previous stage manager was murdered and demands that she find the killer. Both investigation and rehearsals are complicated when she makes a surprising discovery about her relationship with Will—and learns that George has his own dramatic agenda.

https://www.amazon.com/Ghost-Light-Jane-Tesh/dp/1939113563

Jane Tesh, a retired media specialist, lives in Mt. Airy, North Carolina, Andy Griffith’s home town, the real Mayberry. She is the author of the Madeline Maclin Mysteries, featuring former beauty queen, Madeline “Mac” Maclin and her reformed con man husband, Jerry Fairweather, and the Grace Street Mystery Series, featuring struggling PI David Randall, his psychic friend, Camden, and an array of tenants who move in and out of Cam’s boarding house at 302 Grace Street. Ghost Light is her first standalone mystery and the first to feature an asexual heroine. She has also published five fantasy novels. When she isn’t writing, Jane plays the piano and conducts the orchestra for productions at the Andy Griffith Playhouse.

Visit Jane’s website at www.janetesh.com and her Facebook page, www.facebook.com/GraceStreetMysterySeries

Guest Blogger ~ Laura Kelly Robb

Behind the Book – Discovering the Florida Highwaymen

By Laura Kelly Robb

Zora Neale Hurston, the author of Their Eyes Were Watching God, lived her last years in Fort Pierce, a beach town on the Atlantic coast of Florida.  She lived for a while on a houseboat and later in a modest cement block rental house.  A visitor can see the makeshift desk and black Underwood typewriter Hurston used for her last pieces.

Through a National Endowment for the Humanities grant, I traveled to Fort Pierce to learn more about Hurston’s life through a week-long seminar led by Professor Heather Russell.  She told us the story of how Hurston had fallen out of favor with many critics until Alice Walker resuscitated her legacy of novels, stories, and African American folklore.

While in Fort Pierce, cultural ambassadors from the African American community  helped us understand other aspects of the town’s history.  The Florida Highwaymen, they said, had gone a long way toward putting the town on the map.  I had never heard of those artists, but our guides forgave my ignorance and led us to a gallery run by James Gibson, one of the Highwaymen.  Sitting on a stool, as casually as if he were telling us about dinner the night before, he spun tales of his companions in art, the twenty-five men and one woman, who made up the official list of Florida Highwaymen.

They knew each other, some from long contact, some only by sight, and some were blood relatives.  They were eager to get out of the sweltering fields and as far away from the punishing orange harvests as possible.  Hope came in the form of post-war prosperity, air-conditioning, and a wave of middle-class tourists. Black and white, the vacationers were driving the length of Florida.  The Highwaymen’s images of sunsets, palm trees, and scudding clouds were the perfect souvenir.

From the mid-1950’s until the early ‘80’s, the loose group of self-taught artists produced, by conservative estimate, over 100,000 paintings.  Sold out of the back of a car, sometimes on the side of the highway, for a bargain price of twenty-five dollars, the paintings traveled with their new owners all over the fifty states. Al Black, a prolific painter and also the lead salesman, could sell water to a whale they said. Money was made; oranges were not picked. James Gibson smiled and called them the best of years.

After the seminar, the story of the Florida Highwaymen stayed tucked away but not forgotten. I read reports of the uptick in interest and I saw episodes of Antiques Roadshow where the art experts valued Highwaymen paintings from $5,000 up to $10,000.  I wondered how art professionals dealt with a body of work as large as the one generated in Fort Pierce.

That question serves as a starting point for my mystery, The Laguna Shores Research Club (TouchPoint Press, September 14, 2022), featuring an art cataloguer, an art collector, and an ambitious museum curator in St. Augustine. The protagonist, Laila, believes her chance to get ahead in the art world lies in protecting the Florida Highwaymen.  When her friend and fellow researcher turns up dead, Laila is the one who needs protection. 

The Laguna Shores Research Club

Laila Harrow knows the best way to track down anything—or anybody—is to ask Billie Farmer. As the brains of the Laguna Shores Research Club, Billie teaches fellow members how to reach into the ether and pluck out facts.

Counting on Billie’s guidance, Laila promises the St. Augustine Museum a catalogue of Florida Highwaymen paintings that will catapult her standing in the art world. But when Billie dies suddenly, Laila is forced to pull herself out of the darkness to think like Billie and follow the facts.

Fact: Billie’s good health makes the diagnosis of a heart attack unlikely.
Fact: Her actions the night of her death hint at a looming threat.
Fact: Her condo has been turned upside down, her computer and phone missing.

With support from her friends and family, Laila vows to get to the bottom of Billie’s death. Then one last piece of information comes to light.

Fact: Laila is at the center of a dangerous game.

Amazon Paperback and Kindle

Barnes&Noble and Nook

Laura grew up in New York, the fifth of six daughters.  She earned a BA from the University of Toronto and went to work in Vigo, Spain. She lived in a small village and studied part-time at the University of Santiago.  Returning to the US, she taught Spanish and History for Seattle Schools.  She began to submit short stories and write novels while getting coaching at an Iowa Writers Workshop summer session.  She now writes full-time, with a sequel to The Research Club expected in 2023.  With her husband Paul, she lives in St. Simons, Georgia and takes breaks from the heat in Friday Harbor, Washington near her three adult children.

www.LauraKellyRobb.com

Twitter: @LauraKellyRobb

Instagram: @BookHardy and LauraKellyRobb_Author

Guest Blogger ~ Joyce Woollcott

I’ve always been a reader, always. Even as a child when I look back, I remember particularly enjoying adventure and mystery. I grew up just outside Belfast and in those days, I couldn’t lose myself in social media so I lost myself in books. The Famous Five, The Secret Seven, anything I could get my hands on really. I think you can see the beginning of a trend.

I read the classics too of course, for school and pleasure, but I always enjoyed a good murder, just like my mum.

After graduating I came to Canada, got a job, married, raised a daughter and read. Michael Connelly, Lou Berney, Denise Mina, Ann Cleeves, P.D. James, and the like. I wrote while I still worked, as I suppose a lot of aspiring writers do, but only in a half-hearted way, feeling out of depth. When I took early retirement and could finally take the time, I enrolled in some night classes and learned how to format, what typeface and size to use. It was from those classes that I started to read my favourite books again and actually learn from them.

I started to paint too, somehow the idea of just writing seemed so foreign to me. Could a person write? I used to paint when I was younger and I thought I could fill my days doing both, and if the writing didn’t work out, well I could always fill my days painting …

Mist on River.
Early Fall
Loch Erne, N. Ireland.

I signed on for a summer workshop at The Humber School for Writers in Toronto and the next year was accepted into a year-long, on-line, post-grad class there with Canadian novelist Robert Rotenburg. This was the beginning of a journey to complete my first ever manuscript. Abducted.

I passed the year with a Letter of Distinction. Encouraged, I entered Abducted in the Arthur Ellis Awards Unpublished contest. I was long-listed in December 2018.

Spurred on by this, in February 2019 I entered the Daphne du Maurier Awards with my second novel, A Nice Place to Die. In May, 2019 I got a call from New York, telling me I was a finalist. On 24th July I watched the Awards via video link. I won the Daphne! This is for their largest group, Unpublished Mainstream Mystery/Suspense.

January 2020, I received notice that A Nice Place to Die made the long-list of the Arthur Ellis Awards, Unpublished, and finally in 2021, I made the short-list as a finalist in the Crime Writers of Canada Awards of Excellence.

As you can tell from this, my road to publication has been long. I was full of doubt and sought a backup plan, but in the end, writing took over and I was offered and signed off on a two-book contract in 2021. That contract is for A Nice Place to Die and the second book in the series Blood Relations. It’s been a lot of work but it’s been worth it and I do believe this is a process most writers have to go through. Yes of course there are debut novelists who hit the ground running, straight out of school or university or college, but I think this is the exception not the rule. We need to read, we need to write and we need to learn. This takes time and determination. Take courses, ask for help, seek out critique partners and readers. And listen to the criticism, because it will come. And when all that is done, submit your work. And good luck!

A Nice Place To Die

The body of a young woman is found by a river outside Belfast and Detective Sergeant Ryan McBride makes a heart-wrenching discovery at the scene, a discovery he chooses to hide even though it could cost him the investigation – and his career.

The victim was a loner but well-liked. Why would someone want to harm her? And is her murder connected to a rapist who’s stalking the local pubs? As Ryan untangles a web of deception and lies, his suspects die one by one, leading him to a dangerous family secret and a murderer who will stop at nothing to keep it.

And still he harbors his secret …

Buy Links:

US: https://amzn.to/3CGIzi0

Can: https://amzn.to/3TroD8K

UK: https://amzn.to/3CU4diN

B&N: https://www.barnesandnoble.com/w/a-nice-place-to-die-j-woollcott/1142154246?ean=9781685121662

J. Woollcott is a Canadian writer born in Northern Ireland. She is a graduate of the Humber School for Writers and BCAD, University of Ulster. Her first mystery, Abducted, was long-listed in the Canadian Arthur Ellis Awards in 2019. Her second book, A Nice Place to Die, won the RWA Unpublished Mystery/Suspense Daphne du Maurier Award in 2019 in New York. A Nice Place to Die was also long-listed in the Arthur Ellis Awards for 2020 and short-listed in the Crime Writers of Canada Awards of Excellence in 2021. She is working on part two of the Ryan McBride Belfast Murder Series, Blood Relations, due out in August 2023.

She is a member of Crime Writers of Canada, Sisters in Crime, International Thriller Writers,  and the Suncoast Writers Guild.

Website: https://www.jwoollcott.com

Twitter: @JoyceWoollcott

What To Write

While I always have a lot of ideas bouncing around in my head, when I finished the latest Spotted Pony Casino book, I wasn’t sure which idea I should write next.

Should I just pick one of the titles? I have a list of gambling terms that I use for the titles in the Spotted Pony Casino series. Or should I use one of my ideas and figure out which term/title would work for it? I pondered this as I began the next Hawke book. I like to be thinking about several books ahead while I write the current one. It’s how I can finish up one and dive right into the next one, because I’ve been thinking about it in the back of my mind.

I had a little help from my subconcious.

One night as I was taking a shower a scene popped into my head and I knew which idea I’d be using. I got out of the shower and wrote the scene down. Now that I know the direction the next story is heading, I can pick one of the ten titles I have to go with it, and I can begin plotting the suspects and motives.

When I finish writing the current Hawke book, Bear Stalker.

Because I write two series, hopping from one to the next I have also been wondering which of my Hawke ideas would be the next book. There are times I can have two to three books in a series lined out in my head and on paper, but I’m working on book 10 in the Gabriel Hawke series and while I have three more ideas written down, I wasn’t sure which direction I wanted to go.

The other night, just as I was about to drift off the opening scene for the next Hawke book trickled through my mind. I immediately grabbed the notebook by the bed, went into the bathroom and closed the door to not wake hubby and the puppy, and started writing it down.

As I wrote the opening scene, I realized the story would play out differently than I had originally planned for this scenario. I love when my brain figures out a better story line than what I’d first thought.

This new idea should make the readers who like when Hawke tracks in the mountains happy and will keep them wondering how many bodies Hawke will come across. 😉

When ideas come to me like this- out of the blue when I’m not trying to figure something out-I call them gifts. Because they are always better than what I had come up with while forcing myself to figure out a story line.

The mind is a wonderful thing. I hope we don’t lose our originality and creativity to machines.