Author: patyjag

Paty Jager is an award-winning author of 50 + novels, novellas, and short stories of murder mystery, western romance, and action adventure. All her work has Western or Native American elements in them along with hints of humor and engaging characters. Paty and her husband raise alfalfa hay in rural eastern Oregon. Riding horses and battling rattlesnakes, she not only writes the western lifestyle, she lives it.

Guest Blogger ~ Jacqueline Diamond

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I never thought of myself as a rule-breaker but…

One “rule” prescribed for novelists is to establish your “brand” and stick to it. Romantic comedies? Write a zillion! Medical-themed romances? Stick with that! Mysteries with a medical twist? Make that your one-and-only.

Although I have a good imagination, I can’t picture spending more than forty years writing basically the same type of book over and over. Or maybe it’s because I have a good imagination.

Since I sold my first romance (Lady in Disguise) in the early 1980s, I’ve published more than one hundred novels. They include mainstream mysteries and paranormal suspense, romantic comedies and contemporary romances.

Isn’t that enough for any writer? Well, no.

About ten years ago, after completing my Safe Harbor Medical romance series for Harlequin, I felt an urge to use that small-town hospital setting for mysteries. Since that type of novel didn’t align with Harlequin’s needs, I decided to venture into self-publishing.

I’d already begun reissuing some of my earlier books, including the mystery Danger Music, so I had a sense of the technical requirements. This turned out to be a rewarding creative decision that resulted in my Safe Harbor Medical mysteries, starting with The Case of the Questionable Quadruplet.

The four books in the series feature a young widowed doctor who solves murders in conjunction with his cranky, private investigator sister-in-law. Much as I enjoyed writing them, though, that series eventually reached what felt like a natural conclusion.

In the meantime, I’d become intrigued by cozy mysteries with talking cats, magical villages and mystical libraries. What I needed was a fresh, original take on the genre.

Coincidentally (or so I thought), with the end of the Covid lockdown, my husband and I seized the opportunity to travel to a place I’d always been intrigued by: Prague, in the Czech Republic. This turned out to be an inspired, and inspiring, choice.

Prague is a gorgeous city with an impressive literary history. We stayed at the Art Nouveau Palace Hotel, whose café was once a meeting place for artists and writers including Franz Kafka.

I’d heard tales of a golden age in Prague when Jewish intellectual life flourished. Since that’s my ancestry, I especially loved the stories of a magical rabbi who created an artificial man of clay, called a Golem, that acted as a protector for Jews.

Unfortunately, they needed one. The Austro-Hungarian empress Maria Theresa, a religious bigot (and mother of Marie Antoinette), expelled the Jews from Prague in December, 1744.

Don’t you wish you could right the wrongs of the past? Maybe I could… in fiction.

What emerged from my offbeat mind was a reimagined, alternate version of Prague, ruled by wizards. When an evil queen tried to seize their city, they pooled their powers and accomplished the near-impossible, shifting their land halfway around the world.

The disruption shook loose and redistributed their town’s intrinsic magick, with surprising results. One of these was to imbue humanlike speech into a breed of cats. Yes, talking cats!

In a realm isolated from their surroundings (the West Coast of what became the United States), their culture developed in a unique way. Nearly three hundred years later, a young woman, an orphan who has no idea she’s from this enchanted city, is “summoned” there to discover that she’s inherited the town’s ancient library from her grandmother, who’s been murdered.

To solve the mystery and bring justice for her grandmother, she has to awaken her hidden powers. Along the way, she finds a touch of a romance and realizes her longtime companion cat, Kafka, has the power of speech.

The writing process was fun and challenging, splashed with humor and danger as my heroine, Chess, and I explored this new world. The climax proved even more exciting than I’d hoped, with a dash of bravery by Kafka and his pals.

My favorite review came from National Book Award winner Neal Shusterman, who wrote, “Master storyteller Jacqueline Diamond draws you in to this magical feline mystery, enchanting you page after page. You’ll fall in love with Chess Vevoda, and the wild world she’s stumbled into!”

A Cat’s Garden of Secrets launches my Forgotten Village Magical Mystery series. It’s complete in itself—no cliffhanger endings in my novels.

Now, I’m happily writing the next book, A Cat’s Nose for Murder, with a storyline that gives Chess and her cat a new mystery to solve and a little more romance (for both of them).

A Cat’s Garden of Secrets is my 109th book. But in a sense, I feel like I’m just getting started!

A Cat’s Garden of Secrets

Awakening magical powers? Yes! Solving a murder, sure. But turning into a cat? Who, me?

On the weirdest day of my life, my cat starts talking, my car kidnaps me to a charming hidden village, and I inherit a mystical library. Plus, I discover I have superpowers!

As an orphan who grew up in foster care, I had no idea I came from an enchanted land full of furry shapeshifters, including—surprise!—me. Or that I had a gifted grandmother, who’s been murdered. Now it’s up to me, with the help of a handsome, otherworldly detective and my know-it-all cat, to uncover the truth… if someone doesn’t kill me first.

Enjoy cozy mysteries with talking animals? Love tales of awakening supernatural abilities and small-town bookstores and libraries? Discover why National Book Award winner Neal Shusterman wrote, “Master storyteller Jacqueline Diamond draws you in to this magical feline mystery, enchanting you page after page.”

Buy links:

Amazon: https://www.amazon.com/dp/B0CR4KYCM9

Barnes & Noble: https://www.barnesandnoble.com/w/a-cats-garden-of-secrets-jacqueline-diamond/1144921034?ean=2940185636138

GooglePlay: https://play.google.com/store/books/details?id=Kcn9EAAAQBAJ

Kobo: https://www.kobo.com/us/en/ebook/a-cat-s-garden-of-secrets

Smashwords: https://www.smashwords.com/books/view/1542627

Apple: https://books.apple.com/us/book/a-cats-garden-of-secrets/id6480234897

Audio https://www.amazon.com/dp/B0CR5PBK9Y

USA Today bestselling author Jacqueline Diamond has sold more than 100 novels in popular genres from fantasy to mystery to medical romance to Regency. A former Associated Press reporter, Jackie has traveled widely, and currently lives in California. Among her honors are a Romantic Times Career Achievement Award and a Thomas Watson Foundation fellowship. A Cat’s Garden of Secrets launches her Forgotten Village Magical Mystery series. You’re welcome to learn more about her and her books on her website, Jacquelinediamond.net.

Guest Blogger ~ Laury A. Egan

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Creating Jack & I

Ever since reading The Three Faces of Eve and Sybil (a case later reported to be a sham), I’ve been fascinated with Multiple Personality Disorder, now named Dissociative Identity Disorder. After additional contemporary research, I decided to create a character who suffers from this disorder, featuring the “host” Jack’s narration in first person and the “alter” Jack’s narration in third person, interchanging the two in each short chapter. This twin structure allowed for more intimacy with the beleaguered host and a slight distance from his sociopathic alter. Since we all have dark impulses that we subjugate (or mostly do), the novel gives the reader the opportunity to experience what it would be like if we acted on our more sinister desires in a kind of Dr. Jekyll/Mr. Hyde manner all the while maintaining our moral selves.

Jack Kennett is a character who slowly emerged in my mind as I wrote, whereas his alter appeared with immediate presence. Sometimes, the “bad guy” characters are easier to imagine, but as the words accumulated, the host teenager evoked more sympathy because he was dealing with the usual issues: shyness, peer discomfort, and his frustrated feelings for a girl, but also was struggling with dire problems: Jack had experienced severe trauma in infancy (the cause of the personality split), lived in a series of foster homes with some foster parents who re-traumatized him, and dealt with an alter who subsumed Jack and committed crimes, engaged in sexual promiscuity and prostitution, and constantly undermined his attempts to be a normal sixteen-year old boy. In addition, whenever his alter takes over, the host experiences memory loss, though on occasion he can piece together what his alter has done. These blackout states are an intriguing literary device for a writer.

In interviews, I’m often asked why I set most of my novels in the 90s. Simple. By doing so, I’m able to avoid the pesky problems of technology since most people didn’t have internet service or use cell phones until later. These tools allow others to access a character and learn where he or she is and for people to do quick research and be in constant communication with the world, thus making a writer’s job more difficult, especially in a suspense story. In Jack & I, the absence of technology let me concentrate on the interaction between the two primary personalities and those who come into contact with them. This would have been an entirely different story if set in current times. For example, Jack (the host) would have learned about his psychological condition by researching his symptoms on the internet and wouldn’t have had to struggle with many of the mysteries that plagued him.

Another common question: why do I frequently write in the psychological suspense genre? One of my first literary influences was Patricia Highsmith, who loved to devise innocent characters who become victims, usually due to entrapment by an antisocial, manipulative person such as her brilliantly conceived Tom Ripley. Taking a page from Highsmith, Jack & I combines the innocent and the sociopath in one body. An economical structure allowing for dramatic contrasts in behavior, personality, emotions, and thoughts.

This novel was tricky to create in many ways. Keeping the host Jack semi-ignorant of his alter’s activities meant I needed to find strategies for him to become aware of these actions despite his amnesiac states. So, although the reader has the full picture of what’s happening, for Jack to understand the extent of his dire circumstances proved to be a constant challenge as he dips in and out of presence.

I hope readers will be intrigued by the book’s psychological complexity but also by the suspenseful plot. Will Jack and his alternate personalities ever fuse or fine a way to live together? I welcome comments or questions via my website or social media!

A psychological suspense novel about two teenage boys. The twist? They’re both named Jack and both inhabit the same body. “Mostly I was relieved to put distance between Jack and myself, although this wasn’t possible because I am Jack, too. And sort of not Jack. I am I, or rather, I am me.”

1994. Jack Kennett is sixteen and suffers from un-diagnosed Dissociative Identity Disorder (Multiple Personality Disorder). Abandoned at age two, Jack has been in the New Jersey care system all of his life: foster homes and once placed for private adoption with the Kennetts, a family he adored, especially their daughter, Cara. As the divisive war between the two personalities escalates, Jack (the host) is in despair and feeling powerless as he experiences amnesiac events and must deal with his alter’s promiscuity, truancy, and illegal acts. How will the war between the personalities end?

Amazon link: https://mybook.to/jackandi

GoodReads: https://www.goodreads.com/book/show/209445898-jack-i

Laury A. Egan is the author of fourteen novels, including suspense titles such as The Psychologist’s Shadow, Wave in D Minor, Doublecrossed, The Ungodly Hour, and Jenny Kidd as well as a collection, Fog and Other Stories. Four limited-edition poetry volumes have been published, and eighty-five of her stories and poems have appeared in literary journals and anthologies. She is a reviewer for The New York Journal of Books and a 2024 recipient of a New Jersey State Council on the Arts Individual Artist Award in prose.

Website: www.lauryaegan.com

LauryA.Egan@EganLaury

https://www.facebook.com/laury.egan

https://www.instagram.com/laurya.egan

Guest Blogger ~ Lois Winston

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The Importance of Character Arcs

Every book needs two elements—a plot and characters. Most writers understand that their story is comprised of a beginning, middle, and end. The beginning is about the Call to Action or what makes the protagonist get involved in the story’s events. In the case of mysteries, this is a murder or another crime. The middle details the steps the protagonist takes on her way to figuring out whodunit. The end is all about how the protagonist solved the crime—the finale, where the perpetrator is caught, and the denouement, where all the various strands of the story are satisfactorily explained.

What many newer authors don’t understand, though, is that the characters in a book must also have their own arcs. This is especially true in series where reader follows various characters through the course of many books. Character growth is essential. No character should be in the same emotional and mental place at the start of either a single title book or a series. When that happens in a series, the author is merely writing the same book over and over with only the names, places, and crimes changing in each subsequent story.

All recurring characters in a series need arcs, not just the protagonist. However, the arc doesn’t have to be in the reader’s face. An arc can be subtle and develop over time as the series progresses.

In Sorry, Knot Sorry, the recently released thirteenth book in my Anastasia Pollack Crafting Mystery Series, Anastasia’s relationship with Detective Sam Spader takes a major turn. Detective Spader was first introduced in Revenge of the Crafty Corpse, the third book in the series, when he suspected Anastasia’s communist mother-in-law Lucille of murdering her roommate at a rehabilitation center.

Readers of the series know there’s no love lost between Anastasia and Lucille. However, although Lucille has many flaws, Anastasia knows she’s all bark and no bite. So she sets out to find the real killer. Spader has continued to pop up in subsequent books in the series, and his relationship with Anastasia has grown from adversarial to one of grudging respect.

In this latest book, a man is gunned down in front of Anastasia’s home. There is little in the way of clues and no witnesses. The sheriff’s office is short-staffed due to vacations and a summer flu bug that has hit many county employees. Plus, there’s no money left in the annual budget to hire more officers. The detective admits he needs Anastasia’s help. He knows she has a way of seeing things that others often miss.

Over the course of eleven books, Spader has grown. He’s not the only one. The story arcs of many of the characters in the series have continued to develop. Some character growth has been for the better, some for the worse. But everyone changes in some way, making for a series that continues to grow beyond just the number of books.

Sorry, Knot Sorry

An Anastasia Pollack Crafting Mystery, Book 13

Magazine crafts editor Anastasia Pollack may finally be able to pay off the remaining debt she found herself saddled with when her duplicitous first husband dropped dead in a Las Vegas casino. But as Anastasia has discovered, nothing in her life is ever straightforward. Strings are always attached. Thanks to the success of an unauthorized true crime podcast, a television production company wants to option her life—warts and all—as a reluctant amateur sleuth.

Is such exposure worth a clean financial slate? Anastasia isn’t sure, but at the same time, rumors are flying about layoffs at the office. Whether she wants national exposure or not, Anastasia may be forced to sign on the dotted line to keep from standing in the unemployment line. But the dead bodies keep coming, and they’re not in the script.

Craft tips included.

Preorder Buy Links (releasing 6/4/24)

Amazon https://amzn.to/4a8JyVJ

Kobo https://www.kobo.com/us/en/ebook/sorry-knot-sorry

Nook https://www.barnesandnoble.com/w/sorry-knot-sorry-lois-winston/1145047275?ean=2940186076698

Apple Books https://books.apple.com/us/book/sorry-knot-sorry/id6479363569

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

You Just Feel It

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I finished book 12 in my Gabriel Hawke series two weeks ago. This is the first book that when I finished, I didn’t have any doubts that I had forgotten something or that it dragged in places or that it wouldn’t sit with some of my readers. I finished this book with a smile on my face feeling as if it was a good book. Not all books feel that way when I finish.

Many writers understand this. There are very few books that when I have it ready to go to my CP and beta readers that I feel I captured everything I wanted and gave all the right clues and nailed the characters. Even the killer. I figure the places that I’m worried about they will see, and I can fix them.

As usual this was what I call my first draft. Over the decades of writing and having published 58 books, not counting the 7 that never made the cut to being published, this was the first time I finished without any doubts about the story. Having been writing this long, I have a system where I what I write the day before is where I start the following day. I begin where I started writing and read through, making changes to scenes, sentences, and words. So by the time I do type the last word in a book, it is the draft I send to my CP and Betas. After they read and send me their thoughts and suggestions, I do what I call the second draft. This one goes to my line editor. Who will also catch any wrong names, duplication of information, and my legal mistakes. From her, I go through it one more time, the 3rd draft, and send that to a proofreader. After I change what she finds, that is the final draft, and it is published.

Now I could be all wet and full of myself on this one, but so far, the beta readers have liked it and found little to comment on. Well, except for my retired police officer. And what he commented on wasn’t anything to do with police procedure. He didn’t like that Hawke kills a rattlesnake. He thought Hawke should have backed out of the cougar’s cave he was crawling into and waited for the snake to leave. I’ve thought about this since his text to me about enjoying the book other than that scene. I’ve bounced around different ways I could change the scene, but they don’t harken to the urgency that Hawke feels about finding more evidence.

My other beta reader liked the whole book. Didn’t see any problems with any of the story. She did catch some typos.

I’m waiting for my CP to get it back to me and see if she mentions the snake scene. I felt Hawke was doing what he needed to do to keep him and Dog safe while they finished their search of the cave. A small area that they couldn’t have avoided being bitten by the snake if they moved around inside upsetting it.

The scene will stay as is. And the book that when I finished felt right and made me smile, is available for pre-order.

This double cold case and current homicide have Oregon State Police Fish and Wildlife Trooper Gabriel Hawke calling in favors… and exploring a childhood he shoved into the deep recesses of his mind. 

While patrolling on the Snake River in Hells Canyon, Gabriel Hawke’s dog digs up a human bone. Hawke is confronted by an aunt he doesn’t remember, and he finds a canister of film when the rest of the remains are excavated. The film shows someone being killed and a rifle pointed at the photographer.

Going through missing person files, Hawke discovers the victims of the
decades-old double homicide. A person connected to the original crime is
murdered, giving Hawke more leads and multiple suspects.

Attending a local Powwow with his family, Hawke discovers more about his childhood and realizes his suspects have been misleading him.

Pre-order: https://books2read.com/u/bQGkXw

Guest Blogger ~ Kate Michaelson

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Why Mysteries?

When I set out to write my first novel, I knew without question that I would write a mystery. As a teen, I remember coming home from the library with stacks of Agatha Christie books and tearing through them within a week. Part of me loved escaping to the far-flung settings of the Golden Age mysteries, but I also enjoyed the way the investigation brought me into the story—not only as an observer, but as an active participant. I got to look over the shoulder of Hercule Poirot or Miss Marple as they interrogated witnesses and checked alibis. 

But even more than the cognitive challenge of who did it, I’ve always been drawn to the psychology of why they did it. Like the detectives, I searched for motives. I wanted to understand why people would commit such seemingly illogical acts. What series of events brought them to that point? As an adult, it’s a question I still find myself asking on a daily basis. 

As much as I tell myself not to, I can’t help but watch or read about the twisted crime stories that make the news. I promise I’m a happy, fairly positive person, so what draws me to this darker side of life? I think it’s the need to understand the ugly realities most of us would like to keep at bay. Judging by the popularity of mysteries, suspense, true crime, and crime dramas, I’m not alone. Michael Connelly once advised authors to “write about what you never want to know.” Whether we’re reading or writing it, crime fiction gives us the opportunity to have the best of both worlds. We delve into aside of the human experience that we want to understand but would prefer to view from a healthy distance. It’s like seeing a shark—exhilarating, as long as we’re watching safely from the other side of some nice, thick aquarium glass.

Along with giving us a day pass to the seedier side of life, mysteries present character studies in disguise. Beneath the layers of intrigue and suspense lie complex characters, driven by greed, revenge, love, or twisted rationales. And, often, the detectives are nearly as troubled by the criminals. Whether it’s a hopeless, hard-drinking private investigator or the cop haunted by a cold case, the job takes its toll. Unlike the reader who can put the book down, detectives must immerse themselves in the morass of a psychopath’s logic and, thus, take the brunt of the damage. Through the detective, we make controlled contact with the taboo and explore the sides of people’s personalities they’ve spent their lives concealing.

My own mystery, Hidden Rooms, contends with the inaccessible sides of people’s personas and the secrets they keep hidden even from close family and friends. Although my book is set in a small town where everyone knows their neighbors, the drama centers on the characters discovering how little they actually know about one another. My protagonist, Riley, has spent her life quite happily accepting the shiny surfaces her friends and family present. It’s only when a disaster tears their lives apart, that she’s forced to question what they’ve kept hidden beneath their idyllic exteriors. 

My mystery—and the genre as a whole—is about trying to understand the people around us, and that’s why I love them. Crime fiction captures the thrill of the unknown and reveals it to us page by page.

Hidden Rooms

Long-distance runner, Riley Svenson, has been fighting various bewildering symptoms for months, from vertigo to fainting spells. Worse, her doctors can’t tell her what’s wrong, leaving her to wonder if it’s stress or something more threatening. But when her brother’s fiancée is killed—and he becomes the prime suspect—Riley must prove his innocence, despite the toll on her health.

As she reacquaints herself with the familiar houses and wild woods of her childhood, the secrets she uncovers take her on a trail to the real killer that leads right back to the very people she knows best and loves most.

Buy Links

Amazon, Gathering Volumes, Bookshop.org, or CamCat Books

Kate Michaelson’s debut novel, Hidden Rooms, won the 2022 Hugh Holton Award for best unpublished mystery by a Midwest writer and was released in April of 2024. As a curriculum developer and technical writer, she has created educational content on everything from media literacy to cybersecurity awareness. She is active in several writing groups and participates in causes that support those with disabilities and chronic illness. In her free time, she loves hiking, traveling, napping and anything else that takes her away from her laptop. She grew up in Greenwich, Ohio and now lives in Toledo, Ohio with her husband and pets.

Facebook: https://www.facebook.com/kate.michaelson/

Instagram: https://www.instagram.com/katemichaelsonwriter/

Goodreads: https://www.goodreads.com/author/show/40269182.Kate_Michaelson

Website: http://www.katemichaelson.com