Report On The LCC Conference I Didn’t Attend by Heather Haven

I’d been waiting all year for the 2025 Left Coast Crime Conference to happen. I signed up for it sometime in the summer of 2024. My husband, Norm, and I made reservations on the Amtrak going from Emeryville, California, to Denver, Colorado. We were going to join friend and fellow writer, Janet Dawson, on the 36-hour train ride across the Rockies, play cards and scrabble, eat wonderful meals, and arrive in Denver in time to check in for the conference on Wednesday evening. I had registered and paid for the conference and bought tickets to the Awards Dinner for Norm and me. I was on a fun panel. We had airline tickets to fly home Sunday evening at the end of the conference. There was even an afternoon tea at the famous Brown’s Hotel on the agenda. All was right with the world, and the trip was planned to the last detail. But pass the cheese, please. The best-laid plans of mice and men.

6 days before we were to leave, I started coughing. I wasn’t too worried. I had nearly a week to shake this, right? Besides, I had all the vaccinations you can have. Nothing could happen, right? Wrong. Each day the coughing, sneezing, wheezing, and congestion got worse. On the 4th day of this scourge, I saw my doctor and got tested. No Covid, RSV, or flu. Just one of your common, every day, unnamed viruses that knocks your socks off for at least 10 to 14 days. Stay home, drink plenty of liquids, take whatever over-the-counter meds make you feel better, and ride it out. That’ll be $25, please. Thank you, Doctor. I could have told you that and saved myself 25 bucks and a trip to Kaiser. I have since named the unnamed virus. After all, they name hurricanes, and this was my very own personal hurricane. I call it Fred.

But I digress. So, home I went, feeling enormously sorry for myself. I crawled back into bed, Norm brought me chamomile tea, the cats cuddled, and I resigned myself. We were scheduled to leave for Denver in three days, and I could barely lift my head from the pillow. There was no way I could make this trip. Even Norm, Mister-You-Can-Do-It, shook his head in sympathy. Time to put on my Big Girl Panties, so to speak, and let friends, associates, and fellow writers know I wasn’t coming to LCC this year. My life was over. Well, not really. But when one feels like a bucket of horse manure and locked out of one of the most wonderful and fun times of the year, one is allowed to go there. So, there I went.

It was short-lived. Soon, I got texts and pictures from the train taken by our wonderful Janet, who was disappointed we couldn’t join her but was making the best of it. In those brief moments, I felt a part of the trip, enjoying the shared moments. Janet continued to send me highlights of the trip, conference, and even the high tea at Brown’s. Then a few other pals wrote emails or sent me texts, some with pictures. Even the panel moderator, Chris Dreith, decided not to replace me with another writer but wanted me to answer the same questions she would have asked had I been there. Chris made a sock puppet in my image. I gotta tell you, the resemblance is uncanny. See right. Using her ventriloquist skills, Chris used the sock to voice my answers. Then she gave the puppet sock and my latest book to a contest “winner,” Grace Koshida, who happens to be the Fan of Honor at the conference. Because Grace is a sweetheart, she alerted me on Facebook about this and included more wonderful pictures.

I may not have been at the conference, but so many people went out of their way to include me and make sure I knew I was missed, like Baird Nuckolls pictured left, that I feel warm all over when I think about it. I am well now, but I am keeping the emails, texts, and pictures sent by my friends and associates from LCC 2025 for the future. If I ever feel sorry for myself, that nobody cares, and I’d better eat some worms, before I get out the frying pan I’m going to remember this incident. I’m going to be thankful I live in a world with friends who are mystery writers and readers because, surely, they are the most thoughtful and kindest people on the planet.

The Creative Juices Of A Writer by Heather Haven

And why I sometimes need basting.

I am always impressed by the creative gifts of many of my fellow authors. Not only are they good writers, but their talents often extend to book covers, ad campaigns, blurbs, banners, and more. And let me add, whatever they touch turns out pretty danged good.

As for me, I’ve spent time and energy doing a lot of my own book covers. Here I let out a deep sigh because the American academic grading system would probably only give my efforts a C+. And I throw myself the extra + because this is my post. It is not something that comes naturally to me. Regardless, I love doing the Persephone Cole covers and some of my other books. But not without tons of feedback from trusted pals. For the record, I am never allowed to touch the Alvarez Family covers. The Powers That Be have mandated.

This brings me back to my fellow mystery writers and why I love ’em. As we go through this crazy journey of being a wordsmith, we regularly ask each other for advice or to look at a WIP with a fresh eye. No one has to say please be candid without being cruel. The last part is a given for my pals. They haven’t got a mean bone in their body. And as we’ve all been taught in our writing classes, “Sweetie, I love your hair, but …”

Last month Janet Dawson, one of our very own, had a new banner for her post on Ladies of Mystery and I was smitten with it (see below). I had to have one, too. Actually, I wanted hers but plagiarism is still nasty-naughty, even though AI does it with aplomb and their masters think it’s not only okay but the wave of the future. Really? Have a REAL plum, honey.

Moving on. After hours of going round-robin, I sent Janet the first version of my banner for feedback. It wasn’t working. As usual, she came up with helpful suggestions. Janet said, in a very supportive way, it was a little busy and dark. Keep the work simpler and lighter, she advised. She even offered to help me do it. I was touched and relieved. Yayyy! A partner. But at 12:45 am, I woke up with another thought: Why not take the cartoon image I’ve been using and add to it? In other words, build on what I’ve got. So I did. Ta-da! My masterpiece, such as it is (see the orange thing at top of page).

I probably would have never arrived at going simpler or using white lettering on a darker background without Janet’s help. That’s why I love round-table endeavors. I love brainstorming. I love it when people put the work first and not their egos. And I try to do the same. Learning by osmosis, don’tchaknow. So, I want to thank all my fellow writers who have offered friendship, support, and words of wisdom.

But I am not surprised. Because that’s what mystery writers do with aplomb.

A Writer’s Retreat by Heather Haven

I’ve been married to the same guy for 42 years. We’ve known each other for 44. He’s a Type-A personality. I’m Type-Z. And thus, in order to stay married, we must compromise on many things. It’s the only way to go.

He’s easy-going in a lot of ways and loves to travel. Let me be clear about this. LOVES, loves, loves it. If he could travel two weeks out of every month his life would be perfect. Of course, he is a working musician, so gigs have to be accounted for. I am a working writer, so words have to be accounted for. The reality is, we can only travel around ten to twelve days every other month. Let me add right up front, we don’t have kids and try to live slightly beneath our means, not counting the cats. They get whatever they want.

The one thing my guy seems to love as much as travel is planning a trip. As long as he does it in his office with the door closed and doesn’t hassle me with anything except what directly impacts moi, I’m good with it. He tried going on a vacation by himself once and it didn’t work. He spent the majority of the time on the phone telling me what he did or was going to do, such as staying in the room and reading a book. I spent the majority of my time being lonely.

But what, you may ask, has this grade-B movie scenario got to do with writing? Plenty. I don’t have to tell anyone reading this post that writing a novel takes a lot of time and concentration. Taking off and going somewhere so often is an interruption that doesn’t work. At least, not for me. But staying home longer than two or three days without my guy doesn’t work, either. So, off I go. However, no matter where we travel, my mornings are dedicated to writing, unless I’m doing research for a new book. He spends his mornings exploring, loving life, and walking his feet off.

His favorite mode of transportation is a cruise ship. And no, he doesn’t walk on water. But he does walk around the Promenade deck many, many times. We’ve done thirty-four cruises, and counting. Three more are lined up (as stated, he loves to plan). The longer the cruise ship stays at sea, the happier I am. This is because I order room service, put up the do not disturb sign, look out at the passing ocean, and write my head off. He zips in and out, going to or coming from somewhere, while I get one or two chapters a day done. He sometimes brings his portable piano or guitar along and practices while I write. But the evenings are always “ours.”

If this sounds like an easy-breezy sort of life, it wasn’t stress-free to arrive at. I would say it took us a good five to ten years to find a compromise that gave us mutual happiness and rewards. Possibly, we are slow learners. But pretty lucky ones.

We’re older now and soon enough travel will be limited, at best. But we have loads of scrapbooks, some handheld, some online. And memories. Oh, yes! Then, of course, I have my novels, mostly written somewhere other than my home office.

Writing is a Business … isn’t it? By Heather Haven

From the very beginning, I was taught that writing should be a business. Good in theory, not so much in reality. If I think about my salad days, I made about 5¢ an hour. When I got a real job writing humorous ad copy for No Soap Radio, I made $125 a week. Even in New York City’s late 1970s that wasn’t enough to pay your bills, so I worked backstage doing costumes on Broadway to supplement my income. I was in my early 20s then and doing two jobs I loved was no hardship at all, especially if one was in the theatre. I love the theatre. Lots of talented people inhabit the theatre. I am proud to say I’ve met friends I’ve kept throughout the years. Certainly worth more than 5¢ on the dollar.

As for writing ad copy for No Soap Radio, every morning in a round table sort of setting – literally – is where I learned it was my job to produce something, whether I felt like it or not. For decades after that’s how it went. Recently, however, I took on the luxury of writing when I felt like it. It’s only been for the past 4 months and hard though it is to admit, now writing feels more like a hobby than a job. It comes, it goes, and so what? This hobby approach to things is not my style. I’m a workhorse type of person. I need to feel useful and committed. And as John Adams said, one of our founding fathers and presidents, “There are only two creatures of value on the face of the earth: those with the commitment, and those who require the commitment of others.” I knew I liked the man.

I’ve discovered — or rediscovered — it’s not the money that spurs me on. It’s the commitment. True, this has been an important break after 40 years of daily writing no matter what was otherwise going on in my life. It’s been a test of what writing means to me. But this new thing, writing whenever the mood strikes me, just isn’t working. I need to get back to work, scheduled and at the forefront. I need to get up every morning and feel driven. I need to rekindle the fire in the belly. In short, pass me the matches.

I write because I love it. I write because I have to. I write because it’s me. So I greet 2025 most welcomingly. A new year and back to being me — a crazy, driven, committed writer — who puts her work above everything else except for maybe the occasional glazed donut. Well, come on. Let’s get real.

Happy New Year to all the other crazy, driven, committed writers in my life. 2025 is going to be great.

The Art of a Mystery by Heather Haven

Along with other authors, I was recently asked to be one of the judges for a mystery writing contest involving fairly new or inexperienced writers. I was honored to be asked. In reality, my acceptance was more or less for selfish motives. While reading these works, I am reminded of what to do and what not to do myself. Even still, I realized this would not be an easy job. I try to be a fair judge (and person), so would my own subjectivity about the kind of mysteries I enjoy reading bias my critiques?  Of course, it would, unless I was careful.

Consequently, I tried to judge each work on technique and skill. Personal enjoyment was not expected nor part of the game. I put up a fourth wall and went back to the basics. A good journey to take from time to time. Like being slapped across the face with a wet mackerel, I was hit by the realization that not only did the majority of these stories smell, but the basics of good novel writing simply weren’t there. Bummer. For instance:

1 – The opening paragraph. Did it pull me in? Hook me while it could? Most of the time, no. The writer needs to let me know what I’m in store for. It’s the author’s contract with the reader. If I could, I would email each contestant the opening paragraph of Robert B Parker’s Judas Goat, which I feel is an excellent example.  Right away, this author lets you know what you can expect from the book, his writing style, and a feel for some of the facets of the protagonist. Parker’s Spenser was and is a huge success for good reason.

2 – Was I grounded? Did I get a sense of being somewhere, even if I didn’t know where that was for the moment? Not for the majority of the stories I was judging. If we’re in an ethereal space with no sense of time or place, for heaven’s sake, let me know. Otherwise, it’s like flying around my living room in a hot-air balloon.

3 – Did flowery words and long-winded phrases distract me from many stories? OMG. I still have some silly jumble of pretty but meaningless words describing a building running around inside my head. I don’t remember anything else. Like who died. What’s the first thing most of us learn in any writing class? Kill your darlings. Tattoo it on your forehead if need be. It’s on mine. This is why I wear bangs.

4 – What is the novel about? How much time are we spending on everything else but the story? As one well-known writer said, “Get off the front porch.” Another tat moment. And if the story is about zombies, let’s get some sort of reveal fairly soon, even if it’s “You’ll never believe who showed up at my front door last night. I thought we buried him last week.” Or maybe through the title. Abraham Lincoln: Vampire Hunter, has, by the way, a good opening paragraph, even though it’s not a mystery. Of course, there is the mystery of how one man could run a country, especially during a civil war, and roam the countryside looking for vampires. But let’s let that one go.

5 – Did you throw all your backstory in at the beginning? Save most for later, if even then. One newbie writer did all the right things in chapter one. I was heartened. Unfortunately, it was followed by page after page of the protagonist’s marriage from decades before. If it’s important to the story somewhere along the line, add it in drips and drabs. Don’t lay it before me like an in-depth biography. A story is like a shark. It needs to keep moving or it will die. I held on through chapter two but at the end of chapter three, the pacing was lost, the impact was lost, and I was lost.

6 – This leads me to: GET A GOOD EDITOR AND LISTEN TO HER/HIM. Regarding the above writer, I thought I had found the beginnings of a good mystery novel until I was at the point where I was pulled out of the story and landed in I know not where nor do I care territory. A good editor might have drawn a redline through chapters two and three and saved this book. We will never know. Because the author lost me, it doesn’t matter how good the story gets later on if I’m gone after chapter three.

Now these are things most writers reading this post know. Preaching to the choir, donchaknow. But now and then I need that wet-mackerel-across-the-face moment.  I can be dense, forget, or get caught up in a pretty phrase. But eventually, I kill my darlings, painful though it may be. This is because I know they’re just words, I’ve got a million of ’em, and these just ain’t working, baby. Hmmm. I’m beginning to wonder if Ernest Hemingway wasn’t on the right track when he said, “Write drunk, edit sober.” The approach may be wrong but the purpose is spot on.

Happy Holidays and Happy Writing.