Ties that Bind

In addition to buds, baby birds, and bugs, spring has brought with it Bind, my new book. I would love to hear your feedback.

Three yogis, two cops, and one damn cute dog join forces to discover who’s stolen a Patek Philippe watch from what was supposed to be a secure locker.  Time is ticking.

Shondra (Woo Woo) Aeron, Lexie Hill, and Charlene Kurtz meet five mornings a week at the Asana Yoga Studio for a downward dog or two, one serene savasana, and a steaming cup of coffee afterwards. They’re not friends, but the theft of a very expensive watch from the gym where their studio is located draws them together – and into a bind of another type. 

To support Kristi Yee, their yoga instructor and co-owner of the gym, the three women offer to help her retrieve (some might call it stealing) financial information from her business partner. Mission successful (albeit with a few hiccups). It doesn’t take Charlene, an auditor, long to determine the balance sheet is not all it appears. Certainly, fencing a very expensive watch would help.

The partner isn’t the only suspect. The watch owner could use some money. He is having a relationship with at least two women, neither his wife. One of those women, who made the affair loudly public early one morning in the gym, has managed to cash in on her relationship. The other woman is unknown, at least initially.

The watch owner’s son, a diehard romantic, is also a suspect. His father and his girlfriend certainly think so. He doesn’t need or want the money, but his girlfriend does. At least he thinks so. He thinks wrong.

The girlfriend is also a suspect. She could, apparently, use money and she does not like her boyfriend’s father. That’s not fair, she detests him. Gym staff are also under police scrutiny as well as Kristi herself.

One conundrum for Halifax Police Detective Michael Terrell: how could someone remove the watch from a busy changeroom locker? Admittedly, the owner lost his key, which he usually does at least once a week, but you’d have to know what locker the key opened or try each locker in the change room. Warriors three to the rescue. Their task, at the request of Terrell (who seems to have a thing for Woo Woo, a reflexologist) is to try and penetrate the inner gym sanctum.

They fail, hilariously. But in their failure comes one undeniable conclusion: whoever stole the watch knew exactly what locker to open and what they would find inside.

Throughout the investigation a number of other more personal issues arise. Lexie clearly has a thing for a gym employee. (It’s not what you think.) Someone is repeatedly trying to connect with Charlene. She resists. (It’s not what you think.) Every once in a while, Woo Woo gets a message from another world. (It is what you think.)

Namaste.

Entitled 2: Giving your book a title to remember

Last month we talked about giving your story a title. Unlike article titles, book titles are usually the domain of the writer.

This may be because the writer has a closer connection to the topic, the editor wants the writer to do the work, or the writer and editor see it as the author’s prerogative. But just because the book writer usually develops the title doesn’t mean the editor will accept it. They will tell you if they don’t like it, and why. They will tell you if it won’t work, and why.Let’s look at what constitutes – usually – a good book title, and then I will use my first book as an example.

Because book titles are one of the first things a potential reader sees, they need to hook that reader. It’s recommended the title give away a little something about the plot and the nature of your book. Is it going to be action-packed, romantic, whimsical?

Here are the three main ingredients in a strong title:


LENGTH. 
Shorter is better. Shorter tends to be more memorable, more powerful. Some experts advocate for the one-word title, but one-word titles are more limiting for search engines. Fewer examples are found. The recommendation: three or four words.


IMPACT.  
The title should draw the reader in because it is evocative; it speaks to what lies within the pages of the book. It sets the stage for what they can expect.


UNIQUENESS.
Titles that we can remember, titles that stand out from the crowd are winners. This may be a play on words, a pun, a jab, a literary reference, a phrase that speaks to mind, heart and spirit.

In short, titles are essential to the sale of a book. And they are not easy. Let’s look at one title I’m very familiar with.

My first book is Hung Out to Die. It’s a murder mystery. The main character is CEO of a cannabis-production company in Elmsdale, Nova Scotia. As I was writing this book, a funny aside started to take place involving a word the main character had never heard before: Chunderfuck. In my mind, that became the title of the book with asterisks replacing two of the letters in the last syllable. I then built on this concept. Future books would have similar fun but profane titles: Numb Nuts, Dick Wad…. You get the idea.

book cover from Hung Out To Die

It was not meant to be. As I was starting to shop around my book, I realized the title might lead agents and publishers to conclude the book would be darker, edgier, grittier than it is. Indeed, it’s actually funny. I also didn’t want to turn off publishers before they even read the book. I went with a working title instead: So, A psychopath walked into a bar. In my mind, the book would still be called Chunderf**k, an issue I would raise with my publisher as soon as I had one. Which I (with gratitude) did. My publisher, BWL Publishing, was more than open to changing the title. But not to Chunderf**k – and not for the reason you might think. Search engines don’t pick up asterisks.

Dammit.

So the book became Hung Out to Die. It’s a play on words, drying plants is linked to cannabis, and the victim dies by hanging. It’s short, it’s got some oomph, but let’s face it. It’s no Chunderf**k.

I’d love to hear your thoughts on titles. And asterisks.

Giving your story a name that resonates


I’d like to start by telling you a bit about myself – and my experience with titles. I am a freelance journalist and have written hundreds, actually thousands, of articles for print and online publications across North America and beyond.

One of the things you soon learn as a freelance reporter is that editors write the titles of articles. This is not always the case, but it is usually the case.  There are a number of reasons for this, and we’ll discuss those. In a minute.

First, I’d like to share with you the options article writers have when it comes to titles. One, you can come up with a title that you think reflects the article, is clever or straightforward or funny – whatever attribute you think will appeal to readers. If the editor likes it, they may use it. If they don’t, they will write their own. More often than not, they will write their own.

Years ago I did an article on a trademark dispute involving use of the Bluenose, Nova Scotia’s famous schooner. My title went something like this: Ship disturbing trademark battle erupts in Nova Scotia. I thought that was very clever. My editor did not. Well, she may have, but the title she used ultimately went something like this: Nova Scotia businesses barred from using Bluenose name.

On the other hand, I wrote an article on champagne and called it “Liquid Bling.” My editor wrote to say she loved the title, and she used it.

My feeling was it never hurt to include a suggested title, and no one usually knows the story as well as the writer. But good titles take time to craft, and on many occasions the articles I submitted did not have a title. They had a descriptor: Profile of Donald Duck, Article on the pros and cons of ducks vaping, Conference report from Ducks Unlimited. I was leaving the work to the editor.

And here’s what editors are looking for in an article title. (1) Something that grabs the reader’s attention (2) Something that describes what the article is about (3) Something that is not longer that the first paragraph of the article itself (4) Something that makes them want to read the article or shows them why they should.

Are you likely to get all that in one title. Probably not. But that is what is behind the words that introduce an article. Often those words are more dramatic or more urgent or more intense or more gripping than the article itself. Indeed, most of the time someone objected to an article I wrote it was the title that set them off.

And I didn’t write it.


Dammit. I’m a suspect.


book cover from Hung Out To Die

I’m reaching for the hallway switch when I notice a light three doors down. That’s Norm Bedwell’s office. And that’s unusual. Our comptroller is typically among the last to arrive. Only a fresh honey cruller from Tim Hortons has ever changed his timeline.

I’m running to Norm’s office now, tirade at the ready. The only thing that can prevent the outside security system from working, aside from someone hacking into our server, is if the door doesn’t latch firmly behind the entering employee. A loud audible click lets you know the system is armed, and then you can move forward. Employees are trained to wait for the click; if they don’t, an alarm will sound for two minutes, albeit relatively soft as alarms go. But at this time of day, no one is around to hear it.

It must be Norm’s fault, which may mean the system has only been down for minutes if he just arrived. It’s a question I’m tossing at our comptroller even before I’ve stepped inside his office.

Norm doesn’t answer.

He can’t because he’s swinging from a rope tossed over an open beam (the designer’s brilliant idea), a noose tight around his neck. He’s blue, but not as blue as I believe a dead man should look. This poses a dilemma. I need a few moments to assess my options and identify the safest and most effective course of action. However, I am aware I don’t have the luxury of time. I’ve seen enough Law and Order episodes to know if you don’t call the cops immediately, the delay in time will get noticed, and you’re more likely to find yourself on the suspect list.

Dammit. I’m a suspect.

This realization hits at the same time I’m dialing 911. The perky young woman on the other end asks how she can help.

“I’m in the administrative office of the Canadian Cannabis Corp., and my comptroller appears to have hanged himself. He is dangling from a noose and turning blue.”

“Sir, I have radioed for police; they are on their way,” she says, inhaling to continue with her script.

I cut her off. “Look, I know I shouldn’t disturb anything, but Norm may be alive. I’m going to grab his legs, so the noose doesn’t cut into his windpipe.”

Great, now she knows I understand how hanging kills someone.

Itdoesn’t matter. I’m going to reduce the pressure around Norm’s neck. His feet are tucked into the crease in my left arm, his testicles on par with my bottom lip. I’m not a small man, 6’2”, and I work out regularly, so I can maintain this, albeit a distasteful posture, for quite some time.

I hear sirens, and it hits me. The police won’t gain access to the building without destroying expensive technology. I explain this to the 911 operator. She is not that interested in the cost of our tech.

“I’m going to get someone to open the gate for the police,” I tell her. “That means I’ll have to hang up. I’m on the third floor of the admin building, inside the only office with a light on. My name is Riel Brava. I’m the CEO.”

Discovering the donair

Food seems to weave its way into my writing uninvited.

In my latest book, Conflagration!, food is the foundation for a friendship that springs up in 1734 between the main character Philippe Archambeau, a court clerk, and the jailer he befriends. Lunch becomes a means to extract information, then it becomes much more.

In my first book Hung Out to Die the main character, an American transplanted to Nova Scotia, discovers the delicious joy of the donair. Many people have never heard of this juicy, meat-filled, garlicky concoction, but it is the official food of Halifax. Popular history says the donair – spicy meat wrapped in a pita and embraced with lots of sweet sauce – was invented in Halifax in the 1970s where it rapidly became a must-have menu item for late-night partiers, snackers, and food aficionados.

As my main character, Riel Brava, discovers, the donair can be a little difficult to eat. There is an art to juggling a stuffed pita while licking sauce off your face and adjusting foil wrap to get more donair in your mouth.

The recipe below avoids that dilemma. It’s an appetizer compliments of the Dairy Farmers of Canada. I have adapted the recipe slightly.

Let me know how it tastes.

Donair Dip

Ingredients

  • 1lb (450g) lean ground beef
  • 1 tsp (5 ml) dried oregano
  • 1 block (250 g) cream cheese
  • 1 cup (250 ml) shredded old cheddar cheese (or cheese of your choice)
  • 2 tsp (10 ml) paprika
  • 2 tsp (10 ml) garlic powder
  • 2 tsp (10 ml) onion powder
  • 1/2 tsp (2,5 ml) salt
  • 1/2 tsp (2,5 ml) black pepper
  • 1 cup (250 ml) donair sauce (see below)
  • 1/2 diced tomato (optional)
  • 1/2 diced onion (optional)

Donair Sauce

  • 1 can (300 ml) sweetened condensed milk
  • 1/3 cup (80 ml) white vinegar
  • 1 tsp (5 ml) garlic powder

Preparation
1. Add all ingredients in a bowl and combine.
2. Preheat oven to 350 °F (180 °C).
3. Cook the ground beef and the spices together, mix well in a frying pan.
4. Drain off excess grease.
5. Mix the softened cream cheese, cheese and Donair sauce together.
6. Place ground beef mixture on the bottom of 9”x9” cooking dish (or equivalent).
7. Add the cheese and Donair sauce mixture on top of the ground beef mix.
8. Bake for 20 minutes.
9. Top with diced veggies after removing from oven (optional).
10. Serve hot or cold with tortilla chips or baked pita slices.
11. Enjoy!