
From January to the end of March, New England writers can submit stories for the annual Crime Spell Books anthology. We get a variety of stories from a diverse groups of writers, and often a new writer’s first story. Although each of the editors probably has a private set of expectations and standards, I know I’m going to be surprised more than once. I learned that lesson years ago.
In the 1990s I was invited to judge a short story contest sponsored by a local newspaper. I was one of three local writers who would judge the stories submitted to the editor of the arts and culture insert magazine.
We were a dutiful trio, reading each story more than once, taking notes and evaluating each one according to whatever we considered the appropriate set of criteria. We knew of each other but didn’t know each other personally, though we all knew the editor. At the end of our period of private deliberations, we gathered an hour before the luncheon, where we’d announce the winners, who would be awarded certificates. This is where the surprise came in.
Each of us came with a different story that we ranked as number one. As I look back I’m amused by our passion for our chosen piece of fiction. We couldn’t understand how the other two hadn’t seen the perfection, the style and wit and wisdom in our perfect piece of prose. Of course we discussed our choices at length, certain we could persuade the other two because weren’t we all rational, professional writers?
One writer chose a story because it was a quiet meditation with a gorgeous nearly perfect sentence right in the middle. And it was a lovely arrangement of words expressing a gentle wisdom, but what about the rest of the work? The next judge picked a story that dawdled until the punchline, which I had to admit was effective. But neither judge had picked the story I chose, which to this day I’m convinced was the only true story—with a beginning, a middle, and an end, describing an experience that left the characters changed and the reader nodding in recognition and satisfaction. I’ll admit that the other two judges probably felt as strongly as I did and still do. How did we resolve this dilemma? We didn’t.
The newspaper was on a schedule. The program had to begin, but the editor was ready for us. Another writer gave a talk, the editor congratulated all the writers who had submitted stories, and then she announced that three stories had taken first place. Each judge got to present “their” choice, to the delight of three writers (and their families) in the audience.
I learned later that this is what happens every year. Three judges and three stories. We just can’t seem to agree on what makes something work, something worth reading a second time, something to share with friends and talk about in classes. The editor doesn’t try to persuade the guest judges to reach consensus. Wise move. Instead everyone learned the lesson of the world of publishing. Tastes will range, but every writer is encouraged to follow their own path, and every reader will find a work that resonates with them.