The Snake in the Grass

The leaves on the oak outside my window have yellowed and are heavy with rain. Wonderful rain. No more threat of fire, though we do seem to have a wee firebug in our area happily lighting small blazes that keep our CalFire folks busy. No need to ask why. Power is almost always the answer.

The desire for it, the need for it, and the loss of it. As strong a motive for murder or mayhem as any. Perhaps greater than jealousy, love, and hate all combined. But not money because money is part of the power paradigm, a weapon that can be unleashed against others to keep them at heel.

The scariest purveyors of power are those in sheep’s clothing. As I write that, I am thinking of Rev. Francis Davey, Vicar of Altarnun, in Daphne DuMaurier’s Jamaica Inn. As foul a human as one could imagine, one who envisions himself as a wolf in front of his unsuspecting flock of sheep. A villain’s shuddery villain, without a name until the reveal, the puppet master. Oh, there are others, but this was my first and yes, a chill ran up my spine when Mary Yellen found the Vicar’s drawing.

Power. Control. The conceit of holding it close, knowing you alone are aware of the power you wield. Oh my. But how to write such a character, so subtle, so hidden, yet the master of your story? There are types. The helper, the one who is always there, gently steering the protagonists toward doom. The gay, happy, rich, swoon-worthy antagonist who attracts the innocent and then uses them. The antagonist, so subtle so in need of winning, that they move through the plot like a water moccasin through a swollen river.

These aren’t the people you are consciously watching as you read; they are the ones that niggle at the corners of your mind. Why was he in the room? Why did so and so seek out our hero? Why are they everywhere? What is their purpose in the tale? They couldn’t have been the killer. Or could they, or is something more nefarious their goal? Like their purpose in the book, they bring power and control to the narrative. A drive that bubbles below the surface until it boils.

I love ‘em, I do. And I admit to weaving them into the occasional book. The purposeful manipulators. The ones with so much to lose that they are blinded by the need. The ones who will do anything to win. Lie, cheat, steal, kill – take over the world.

Books are rife with the bombastic variety, but it is the snake in the grass I love. They are a shoot of wheat rattling in a nonexistent breeze that catches your eye and sends a frisson up your back.

I know this as a writer.  It takes great discipline and tedious planning to develop such a character, keeping the behavior consistent and weaving the foreshadowing to sustain the mystery. Because the one thing readers will never forgive you for is throwing in a surprise killer or manipulator. If you’ve done well, the reader will relish rewinding the book for clues that implicate the character. If you’ve done it wrong, they’ll close the book and perhaps never read a book of yours again. And that, my friend, is a scary proposition.

A friendly reminder, The Ladies of Mystery, Cavalcade of Books is available at https://bodiebluebooks.com/ladiesofmystery. It’s filled with wonderful tales, some with well-hidden evil. Twenty-nine great reads, including three of mine.

Find me at https://dzchurch.com and on Amazon, just search on d. z. church.

DIFFERENT THANKFULNESS

I knew I wanted to write a Thanksgiving blog for this week, but I’ve been struggling to express my thankfulness. As you all know, my sister, Lori, has a short time left to spend with her family and friends due to her pulmonary fibrosis lung disease.

She really wants to feel festive and be present for her husband, kids, and grandkids, so we’ve been planning our Thanksgiving celebration at her house this week. A feast of all the favorite family dishes, including the “delicious” (not) Green Bean Casserole, will be served, but I’ve been worried that the sentiment of thankfulness will make an appearance.

When I searched Amazon for paper plates so we wouldn’t have to worry about doing dishes, I found making a selection difficult because most of the choices featured lovely fall scenes captioned with “Thankful and Blessed” or “Give Thanks.” I finally found a set adorned with a simple design of leaves and pumpkins.

I’ve been burning the candle at both ends, rushing from one book event to another. Today, as I made the three-hour drive home from my oldest son’s house, I reminded myself that this holiday season is not about me and that I needed to refocus on what’s important: creating a fun holiday memory for all of us that we will carry in our hearts going forward.

Lori has been battling a cold the last few days, making it hard for her to breathe through her nose. This is concerning since she is on ten liters of oxygen twenty-four hours a day, delivered through a nose cannula.

This morning, she told me she’s struggling to get enough air and feels dizzy throughout the day. We discussed home remedies that might open up her nasal passages and agreed the humidifier her husband, Keith, has bought will hopefully bring her some relief.

When I arrived home, I texted Lori, thinking she’d call to chat if she was awake. When I didn’t hear from her after a few hours, I texted again. Still, I received no response, so I texted Keith and her daughter, Tera, concerned that maybe the cold had compromised her breathing enough that she was back in the hospital.

Lori finally calls and opens with, “I’m sorry I didn’t text you back or call.”

“It’s okay,” I said. “But it would be great if your family would respond so I know you’re not in the hospital.”

“I know,” Lori agreed. “I’ll remind them they need to text you back.” Silence fills the line for a beat, then she continues, “I didn’t have a very good day.”

“Oh, no. What happened?” I asked.

“Well …” Lori’s tone holds a hint of humor. “Keith wanted to go hunting, so I said I would be okay alone for a few hours.” She pauses to catch her breath. “After about an hour, my little dog, Georgie, needed to go potty.” Another couple of deep breaths. “I took him outside and managed to get down the steps to the small pen we put him in to do his business.” She giggles. “He moved to the other side of his pen, so I had to step over a small bin of Christmas decorations that Keith left at the bottom of the stairs to pick him up.” She takes a breath, followed by laughter. “I lost my balance and landed in Georgie’s pen.”

Now we’re both laughing. Belly laughs, which brings tears to my eyes and causes Lori to cough for a few minutes.

“It took me a moment to catch my breath after I fell, and Georgie has moved away because I screamed a few swear words.” Lori pauses for a beat. “I finally managed to get to my hands and knees and noticed little bits of dried dog poop sticking to my clothes.”

“Oh, that’s awful,” I said.

More laughter ensued before she continued, “I crawled out of the dog pen and called for Georgie, but he wouldn’t come to me, so I slowly climbed the stairs to the house. I called him again, but he still wouldn’t come.”

“What did you do?” I asked.

“I shuffled into the house and left the door open.” More deep breaths. “I was struggling to catch my breath and couldn’t worry about him anymore.”

“He didn’t run away, did he?” I tried to control the panic I felt from echoing my tone.

“No,” Lori said. “I went to my room to change clothes, and when I pulled on a clean shirt, he was sitting in the doorway, then jumped onto my bed.”

“Oh, thank God.” My relief that Georgie was safe was quickly replaced by concern for my sister. “Did you get some rest?”

“Yes,” she replied, then said “Okay” to Keith, who I could hear in the background. “My dinner’s ready.”

“Go eat and text me when you’re awake in the morning,” I said, then ended the call.

I’m not thankful that my sister is dying. Or that this will most likely be her last holiday season with us. Or that she has to struggle to do the simplest tasks.

But I am very thankful for her ability to find humor in falling into Georgie’s dog pen. Thankful that, for a few moments, we were just two sisters laughing about a silly mishap. Thankful we’ll all be together for Thanksgiving … sharing our favorite dishes, being in each other’s company, and enjoying a laugh or two.

And I’m thankful for all of you … Happy Thanksgiving, Ladies of Mystery!

Cavalcade of Books

When I look at my TBR pile, which is really a scattering of books all across the sofa, the upholstered chairs, and stacks on the floor, my brain boggles at the variety of titles. It’s as though I have no focus. I was about to add a number (a large number) of mysteries to the list when a couple of friends came up with an idea, The Cavalcade of Books, which would be a list of three books by each of the ten writers on Ladies of Mystery. Yes, they would do my work for me—they’d bring together all the titles I want to read in the next few months, everything at my fingertips. Yay!

I’ve been writing a monthly post for Ladies of Mystery since June 2019, assuming I’ve managed to keep a complete list, which is a lot to assume about me sometimes. And during those months and years of writing my posts and reading posts by the other ladies I’ve learned about other parts of the country, this very strange writing business, lots of history, tricks and techniques I would never have thought of, marketing options, sales outlets, the thoughtfulness of my fellow blog writers, and had a lot of very good laughs. 

But you as a reader probably want something more than compliments and ravings from me to persuade you to try some of these books. Readers are so demanding, and that’s why we writers love you. You make us work, you give us a reason to dig deeper, think harder, write better. So herewith a little piece of why we read and (I) write mysteries. 

Sir Arthur Conan Doyle and Agatha Christie both wrote traditional mysteries. So did Dashiell Hammett and Raymond Chandler. How can this be? They’re all so different. The form of the mystery has always seemed to me to be as broad as the range of human taste. You can write the story with any level of violence or no violence, and in the end you return to a point of stasis promised at the beginning. The form holds both writer and reader, and yet liberates both to explore and range widely (I almost write wildly, so drop that in there too).

https://bodiebluebooks.com/ladiesofmystery.

In The Cavalcade of Books you’ll find the whole range of crime fiction organized into seven categories. Just click on whichever one calls to you and find a list of novels by new and perhaps long favorite writers. You can also chase down a writer through the alphabetical index.

All these books come with special prices in effect from November 15 to December 31 (just in case you climbed onto a really slow Christmas/Holiday shopping train).

These women are amazing—hilarious, scary, captivating, fun, and terrific writers. Buy the books for your friends, your families, strangers you want to turn into friends. Then when the season becomes the crazy time of too much shopping, wrapping, eggnog, take one of your new treasures, crawl under the dining room table, and take a break. Visit the Northwest, the nineteenth century, India, or New York City. We all deserve a break. Even writers. Enjoy!

Thankful Thursday

I loved the last mystery I read, but I don’t remember who the killer was. I do remember being deep in the story because the author took me on a wonderful journey. The book was set in the 1940’s, and she did such an amazing job of immersing me in the story world. The setting, characters, and storyline were so exquisite that the solving of the crime seemed less important.

Now, I know that those of you who read mysteries for the puzzle might have a different take on this, and sometimes I do too, especially when I’m totally surprised by the killer. But at times, the story journey is so special that the ending is inconsequential.

Today, I’m thankful for all the writers who’ve gone before me. I was a huge fan of Mary Higgins Clark’s books. When I sat down to read one, it was like sitting down with a good friend while they told me something that happened to them. I would get so engrossed in the story I didn’t want it to end. I read her books straight through and was sorry I did because I had to wait a year for the next one.

A few years ago, I took a class on writing from Robert Dugoni. It was such an amazing class by a wonderful writer and teacher. The class was small, maybe twenty people, and I still think about what he taught and how fortunate I was to be there. Robert talked a lot about finding the heart of the story. At the time, I was new at writing novels and even though I loved what he said, I didn’t know how to apply it to my work.

Now, after publishing three mystery novels, I feel like I have a better understanding of what he meant. The main character in my Hood River Valley Mystery Series is a woman detective, Liz Ellisen. Liz is the driving force of the story, but as I thought about this, I asked myself, what about her draws the reader in? What makes them ask for more books about her?

Liz puts her heart into solving crimes, and she wants to find justice for the victims. She can be strong and tough, but she can also be tender and loving. And even though her own life hasn’t always been easy, she wants to make the world a better place for others.

I recently had my books for sale at a holiday bazaar. A lady came in and bought three copies of my latest book, one for each of her sister’s for Christmas. She said, “I loved all of your books, but this one is my favorite.”

As with most writers, I hope that my books get better with each one. But I’ve found that some people like my stand alone novel, which was my first published novel, better than the series. And other people like the series best. It’s such a thrill when someone buys my books for their friends or family because they enjoyed them so much.

I feel that finding the driving force of the story is also about finding the heart of the story. Thank you to Robert Dugoni for sharing that. I would love a sign to put up in my office that says, “What is the heart of this story?” I’m hoping I’ll remember to dig deeper to really find what drives my characters and in so doing, find a way to connect to my reader’s hearts.

So this Thanksgiving I’m thankful for all of the writers, teachers and readers who have brought me such joy over the years. I’m also thankful to each of you for reading this blogpost and to Ladies of Mystery for inviting me to write a post on the blog.

Happy Thanksgiving. May your heart be full of love and may we all find the heart in our stories.

My view as I write. Yes, sometimes it’s difficult to concentrate, but not today. Today it was pouring rain and the mountain was hiding. Blessings, Lana

Inside Conflagration!

cover of book Conflagration!

Mud is everywhere. It defines Montréal in April. The snow continues its laborious melt, the ice in the St. Lawrence jostles the shoreline, the clouds hover relentlessly close to earth, and everywhere there is heavy, wet, sticky muck. It adheres to the sides of shoes, the bottoms of coats, and the brims of hats whipped to the ground by winds, there one minute, gone the next.

I look down. My boots are caked in grime, a primordial ooze from the earth, from under the sea, from crevices unknown. I will spend much of this evening cleaning heels, toe caps, and outsoles only to have more mud adhere tomorrow. These caked brown scars are visible reminders that I am not at home. Not at home in this town. Here I have no roots, no history.

Home is Acadie, another world away in another part of New France. My home, admittedly, has mud, but it is the mud pigs roll in to cool their skin, the mud farmers use to build dykes, the mud kids make patties with under the spring sun. Montréal mud is a nuisance, a bother, a reminder of life’s inconveniences.

I am feeling sorry for myself. I am missing my family. It happens. I accept the ache, acknowledge its origins, and move forward, literally through more mud. I remind myself of Madeleine, my wife. She makes life in here bearable. She makes life breathable.

The afternoon sun hides behind clouds. But even in disguise, its demise for the day is evident. Soon it will be dark. I need to push onward, deliver these papers, and make my way home before nightfall. Before the mud becomes invisible, and treacherous. The ground is still hard and much of it frozen; mud will not break a fall, but it will cause one. I need to be careful. For Madeleine.

* * *

François de Béréy’s home is large by Montréal standards. Indeed, it is large by any standard. It rises three floors in the heart of the merchants’ quarter on rue Saint-Paul where it announces its presence to fur traders and aspiring businessmen without saying a word. It sits across from the Hôtel-Dieu de Montréal, the town’s convent and hospital. Three sisters in full habit are outside getting, I assume, a much-needed break from the rigors of tending to the ill and the injured. Immediately, I feel guilty for my selfishness, for a little mud. I nod at the three nuns acknowledging their presence and, I hope, their worth. The three women nod back.

I turn away and knock on the door in front of me. A young servant girl answers. She is about seventeen, dark brown hair pulled back in a bun, pleasantly overplump. She wears a white apron. Her head is bowed. “Philippe Archambeau pour Monsieur de Béréy, s’il vous plait.”

The young woman scurries off. She is back in a few seconds. She ushers me into the foyer. She does not look at me.

My business is over as quickly as it began. Documents delivered, and my day is done. The sun is struggling with the horizon, and losing. I would like to be home before it cedes the daily battle. I hurry down to the street. Two women are talking at the bottom of the steps, a servant and a Panis slave. They turn their backs to me and continue their conversation. As I walk past, I hear only one word: conflagration.

The Panis woman, likely, I thought, from a tribe south of Montréal, turns in my direction as I pass. It is a vacant look; I doubt she even sees me. But I see her. In two days, I will put a name to her face: Marie-Manon.

* * *

A heavenly aroma greets me as a walk through the front door. We live several streets away from the merchants’ quarter, on rue Saint-Antoine, closer to where I work as a court clerk. Madeleine knows somehow today was a long day and a hot beverage will be welcome. The tea, a Bohea blend infused with orange peel, is a special treat. It helps to warm my chilled bones and reassure my feet they will work tomorrow. Madeleine places my boots at the front door. I will tackle them later. Supper is hot and satisfying, smoked ham with potatoes, cabbage, and onion. More tea follows the meal. As does conversation. This is our time. Madeleine listens with her ears and her heart. This is my favorite time of day.

And I talk about mud. My wife knows I am not really talking about mud but about Montréal, this town that is my home and not my home. “There is mud in Acadie,” she says gently. She pats her stomach, almost absently, and reminds me that soon this town will also be the home of our first child.

“I’m sorry.” It’s the least I can say. What I can do is make our conversation what it should be and what it usually is: meaningful.

“I was in the lower town today.”

Madeleine smiles. “I bet it was muddy.”

“I saw a Panis slave. My guess, she is from the Fox Nation. Sold to someone here.”

“You see slaves every day. Yet you remember this one.”

“You are, as usual, right. I saw several slaves today on rue Saint-Paul alone. And a young servant girl. It all disconcerts me still.”

I am familiar with slaves. We have slaves in Acadie, but they work the farms, the field, the land as we all do. They seem part of the landscape. Perhaps they do not feel that way. I say this out loud to Madeleine. She does not dismiss the notion as odd as it may be in this town of 3,000 people that includes hundreds of slaves, maybe more.

“Do these slaves look differently to you? Do they act differently?”

They do not, and they do. “It is the vacant stares, the abbreviated eye contact. It does not sit well in my heart.”

“Another cup of tea will solve that.”

I will come to realize that what I see is the look of those imprisoned. It is the face of those who have no means of escape. Later I will associate it with the wall that surrounds Montréal.

I hate that wall. It closes me in. It is supposed to make me feel safe. It doesn’t.

* * *

Madeleine is sleeping. She sleeps a lot these days. I understand her body needs this even though she fights it. My mother also slept when she was with child, my brothers and sisters.

I take the last of the tea, reheated on the hearth. Madeleine would not approve. She would make a fresh pot, and we would talk. Tonight, she sleeps, and I look at the stars. They are the same stars I see in Acadie. And they are not.

From my front door, from most front doors, the wall is not visible. It is as if it does not exist. But we all know it surrounds us. Or almost surrounds us. For nearly twenty years, Gaspard-Joseph Chaussegros de Léry has planned, managed, and propelled the building of ramparts literally designed to protect Montréal from its enemies, primarily the British. New France’s chief engineer will see this wall finished, this town cocooned in stone.

The wall is flanked. Anyone who dares attack Montréal will know what faces them before they ever arrive at these ramparts. That is deliberate, and doable in large part because the town lies on moderately flat land. Curtain walls and strongholds and drawbridges and posterns span 3,500 metres. We are fortified in black limestone and grey crystalline.

The wall speaks to the power of France, and to the consideration of our King, Louis XV, and his famous great grandfather before him. It exudes authority.

It also promotes the trades. Montréal is flourishing inside these ramparts. The wall requires stone fitters and masons. Sawyers and blacksmiths and haulers are also needed. There is enterprise in the rise of these enclosures.

The wall speaks as well to those who seek to make money. It says, “You are safe here. Your business will thrive.”

With the wall comes commerce, particularly fur trading. Businesses spring up around this endeavour. Indeed, Montréal is a trading post. Where there is trade, there is community and the shops, markets, and supports needed to bolster and enshrine a town. In the time since the wooden palisade that once circled Montréal was replaced with this new wall, approximately 400 houses have been constructed. And the wall is not yet finished.

Of course, prosperity requires judicial overwatch. Our courthouse bustles with the legal business of business. It also punishes, as it must, those who dare to defy the King’s laws. I know this firsthand. I sit each day in that courthouse. I record the testimony of those who walk through its doors. Many faces are familiar. Many are unknown.

None will leave as great an impression as the twenty-five who will walk through its doors in the next twenty-two days.