Mother/Daughter Characters By Heather Haven

Friends and readers ask me where I find my characters, especially the women. I can’t buy them from Walmart, although I did purchase a nifty shower cap there the other day. Even Amazon doesn’t have such a product. I suspect I could buy a new husband on Amazon, should mine start acting up. But characters? Unfortunately, no. So, I tend to draw traits from women around me.

A lot of people suspect the protagonist in the Alvarez Family Murder Mysteries, Lee Alvarez, is based on me. Nope. Many of Lee’s character facets are actually lifted from my mother. Even her name. While Mom wasn’t christened Lee, she’d taken the name at an early age and when I was born, gave it to me as a middle name. Heather Lee Haven. I dropped the Lee, myself, because I feel that spoken in toto, I sound a bit like a rest home. “You, too, can enjoy your golden days at the Heather Lee Haven.”

But back to my characters. I wanted the protagonist, Lee Alvarez, to be bright, beautiful, quick-witted, spirited, savvy, and a huge lover of life. My mom was all those things. Insecurity was the other side of the coin for her. I never quite knew why my mother had these feelings of insecurity; sometimes people just do. Nonetheless, I handed this dichotomy off to my protagonist. It has a certain charm about it i.e., someone who has everything going for them but is constantly on the lookout for Life’s banana peel.

With Lee, however, I give several reasons for her insecurity. One, since being a small child, she wanted nothing more than to be a professional ballerina but could not make the cut. Mediocre is mediocre. The second reason is having the “perfect” mother.  Step forward Lila Hamilton Alvarez, mother and CEO of the family-owned detective agency, Discretionary Inquiries.

Lila is a cool, aristocratic blonde who wears confidence like a crown on a head that’s never had a bad hair day. As a backstory, this Palo Alto blueblood married a Mexican immigrant, Roberto Alvarez, a scholarship student she met at Stanford U. This marriage surprised no one as he was her equal in every way and theirs was the love affair of the century. A running thread in the series is Lila’s inability to recover from his recent and unexpected death. Their daughter, Lee, takes after her father, even to her dark hair and twilight-blue eyes. But most of the things Lila found irresistible in Roberto, she finds annoying in Lee. They have an edgy relationship, as neither understands the other. But genuine affection is there, and they keep on trying. That’s the key to everything, as we know. Keep moving forward, keep trying.

Don’t let this get around the neighborhood, but I based Lila’s character on two people, my mother-in-law and my then boss. Both were highly intelligent women who liked to put you in your place even before you entered the room. I have a certain amount of sympathy for these real-life women – they were not always well liked – but they serve the strained relationship between the mother/daughter Alvarez women well.

Moving on to the Persephone Cole Vintage Mysteries. Percy Cole, the protagonist, is also a PI. Unlike Lee, who sits at a desk wearing designer clothes and sipping a latte, Percy’s a where-the-rubber-meets-the-road sleuth. She’s also a unique kind of woman, one I’d not tackled before. I had been challenged by my writing instructor to come up with a non-conforming female protagonist. Thus, Persephone Cole was born, and I love her. She’s self-assured and sharp, and by no means the average beauty or thinker of the time. Or of any time.

At five foot eleven in her stocking feet and, for lack of a better word, zaftig, Percy is as physically big, if not bigger, than the average man of the time. She handles herself like a champ. She even takes boxing lessons at the local Y should the occasion arise when she needs to slug a villain. My redheaded, green-eyed gumshoe functions in the 1940s man’s world better than many a man and it all comes naturally to her. As for most other 40s women, they may be helping the war effort by temporarily taking a man’s job on the home front, but they know their place is in the kitchen when the war is over. In Percy’s mind, her place is wherever she wants it to be. What softens this steamroller of a woman is a wicked sense of humor, and being the single mother of an eight-year-old boy, Oliver, a child who gives her life meaning.

Her mother, Lamentation Cole, understands her daughter even better than Percy does herself. Indeed, Mother, as she’s called, has a deep understanding of all three of her children and their father. She has a gift for always honing in on the truth and you will never fool her. Mother is reminiscent of a walking dandelion, being five foot eight, weighing maybe a hundred and ten pounds, topped off by long, wild white hair. She may have many of the characteristics of ZaSu Pitts, a well-known comedic actress of the time, but no one who knows her, especially Percy, underestimates Mother’s astuteness or that she is the glue that holds the family together.

The Alvarez Family Murder Mystery series is based in today’s Palo Alto, California, and the Persephone Cole Vintage Mysteries take place in 1940’s Manhattan. They are for the most part humorous. Although you’d never know it by this post. But in order to be funny, truly funny, you often have to base your humor on sadness or loss, confusion or misunderstanding, and sometimes downright anger. But in both these series, there is familial love which rushes in when all else fails.

My job as a fiction writer is to shine a light on the truth. And my truth is that family is what keeps us going. I believe there are two ways to have a family. Some you are born into. Others you create through love, respect, and honor.

As a side note, on September 1st Bewitched, Bothered, and Beheaded was awarded the Readers’ Favorite Bronze for Best Fiction Mystery Sleuth, 2024. That would be Lee. And she couldn’t have done it without her mother, Lila’s, help!

Time and Characters—Fixed and Fluid

Jeri Howard is aging a lot slower than I am. She was in her early thirties when I wrote and published Kindred Crimes, the first book in my long-running series, in 1990. Last year, I published the fourteenth book, The Things We Keep. By now Jeri is in her late thirties.

As for me, well, we won’t talk about how old I am, but it’s been a while since I graduated from college. I admit to the aches and pains of what I prefer to call upper middle age.

Jeri is a private investigator in Oakland, California. Way back when, she used paper maps to find her way from place to place and worked on a dual disk drive computer with floppy disks. Remember those? I do! Jeri was always looking for a pay phone when she needed to make calls.

How things have changed. These days, she relies on her smart phone to make calls and get her where she needs to go. She still gumshoes around and talks to people in person, so she can read facial expressions and body language. The internet has been a great help in her detective work. Using the technology available to her, she researches online. In The Things We Keep, she uses a missing persons database as well as online copies of old newspaper articles to get information about the people who inhabit the book, past and present. And that cell phone comes in handy when she needs to take photos or record an interview with a witness.

I recall Sue Grafton, whose book A is for Alibi was published in 1982. Through 25 books, Grafton made the decision to leave her character Kinsey Milhone fixed in time, in the 1980s. She didn’t have to deal with the world progressing and tech marvels like smart phones and the internet.

I chose to go another way. That means I ignore the fact that the Jeri books are getting a bit long in the tooth. It seems that readers don’t mind. Jeri is as popular as she ever was, discovering new readers via ebooks. I’m happy to report that they want more. Thank goodness for that! Note to readers—the plot for the next Jeri Howard case is currently bubbling in my head, waiting to get out.

My series featuring protagonist Jill McLeod is a different matter. Jill is a young woman in her twenties who works as a Zephyrette, or train hostess, on the streamliner train known as the California Zephyr. I’m talking about the original that ran from 1949 through early 1970, not the Amtrak version of the train. These are historical mysteries, set in a particular time. The first in the series, Death Rides the Zephyr, takes place in December 1952 and by the time Death Above the Line rolls down the tracks, it’s October 1953. So, less than a year has passed in Jill’s life.

There are advantages to a series that’s fixed in time. I don’t have to worry that a reader will notice that the books have aged. They’re supposed to be historical. I concern myself with researching what was going on in a particular month in 1953, so I can drop in details that give the flavor of life in the fifties. That includes the books Jill is reading, the music she listens to, and the movies she sees.

My third series takes place in the present day and it features Kay Dexter. She’s in her fifties and has her own business, working as a geriatric care manager, one who assists families with care of older adults, usually aging parents. Kay puts in her first appearance in The Sacrificial Daughter. I figure Kay is not aging as fast as I am either. Like the Jeri books, Kay operates in the contemporary world, so she’s using the technology that implies.

As always, it will be a challenge to keep writing contemporary stories without letting the ages of characters, and events, get in the way.