Exploring for Ideas

I began the Anita Ray series in 2010 with Under the Eye of Kali. Anita Ray now appears in five books and numerous short stories, and I’m currently working on book number six. In book five, In Sita’s Shadow, Anita is pulled into investigating a group of tourists who don’t seem to care about each other though they are traveling together and know each other from earlier encounters.

After living in India in the 1970s and again in the 1980s, and making numerous short trips since then, I’ve learned that nothing really stays the same in that country. Change is a constant, and at each return I’ve been surprised, intrigued, delighted, and confused by some of the changes. To help me think through the story line in a new short story or novel, I reread notes and spend a lot of time with my photographs. Some of them are leading to a new story that is still in the “idea” stage, based on an annual ritual.

Attukal Pongala, a ten-day religious festival, is held every year in Kerala, South India, drawing up to three million women for the ninth-day Pongala event. This is the largest gathering of women in the world, and they come from all over Kerala (and beyond). The state provides extra trains and busses to bring women devotees to the city. The movie theaters remain open all night, people open their courtyards to visiting devotees, and free tea is available in the morning. 

At a precise time, dictated by the stars, a fire is lit and the flame is passed along to assisting priests who spread throughout the city to start the three million fires. The women cook a porridge of rice, jaggery, coconut, and banana as an offering to the deity of the Attukal Bhagavati Temple throughout the morning. Free lunch buffets of rice and vegetables are set up throughout the city, provided by men, who may be associated with a temple, a place of business, a family, or a fraternal group. 

At the dictated time, in early afternoon, other priests spread throughout the city blessing each cooking pot and its porridge. Once this is done, the ritual is over for that participant, and the women pack up and head for home, hurrying to catch the bus or train. The city cleans up, collecting the bricks used for the hearth, and sweeping up the debris.

One of the features of this event that I only discovered by accident got me thinking about my new story. As a very visible foreigner wandering around the festival taking pictures and occasionally chatting with the women, people were eager to explain things to me or show me something. In one of these encounters a woman who spoke perfect English pointed out a side street with no cooking fires. This was curious, and I walked along with her until we arrived at a small bungalow with a car port. Inside the car port sat perhaps two dozen men and women scowling or looking bored. The woman explained that they were pickpockets and other petty thieves who were corralled for the duration of the festival, so the devotees could cook in peace and safety.

When I reviewed my photographs months later I noticed a couple with a small group of men and women seated in front of a closed shop with no cooking sites in front of them. A few men stood nearby. I’ve wondered if this is another group temporarily detained during the festival. As you can guess, the ideas for a story began to percolate and I’m now at the stage of working out the details before I begin writing. 

The Pongala festival is unique, and open to everyone. When the pot boils over (pongala), it signals abundance in the offering to Bhagavati, and the deity is pleased, suggesting good health and good life for the family in the coming year. This year’s Pongala will be held on February 25, 2024.

For the Anita Ray series, go here: https://www.amazon.com/dp/B09HR76ZKP?binding=paperback&searchxofy=true&ref_=dbs_s_bs_series_rwt_tpbk&qid=1708783919&sr=1-10

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