The Road to Writing is Paved with Good Intentions

Photo of Sea WavesMy book, Murder in the Museum, was published in the spring by Cozy Cat Press. I resolved to spend at least twice a week promoting it and several more hours writing the second book in the series, Murder in the Cemetery.  I was feeling positive about my progress. The first, in all formats, was selling well, and I had written 15 chapters of the second book. Then spring turned into summer, here on Lake Ontario a season that starts with the July 4th holiday. And that’s when my resolve crumbled.

You must understand that we live in a resort area where summer days are long and the sunsets, spectacular. Where our days are filled with fishing, boating, beachcombing, golfing, swimming, festivals, parades and fireworks. Oh, and did I forget to mention the parties and picnics?  And the intimate get-togethers with friends at waterside restaurants? And outdoor concerts and theatre performances? And gardening?  And farm markets? This summer I also coordinated multiple events and activities for a family destination wedding that was held here, and we had three weeks of non-stop company. Get the picture?

I wanted to enjoy the beautiful weather and activities with friends and family, and that was the point when my resolve to write and promote on a regular basis crumbled. But I wasn’t feeling very good about it. I felt guilty and was losing sleep. Then one night, while tossing, turning and fretting, I took a deep breath and acknowledged that I was putting too much pressure on myself. I calmed down and faced reality.

The reality was that while not doing as well online, book sales were brisk at the multitude of seasonal gift shops, museums, visitors’ centers, bookstores and other outlets in our village and nearby communities. The reality was that I’d enjoyed several successful book signings and, as a local author, had been asked to attend various book group meetings.   And when I thought about it a little more I realized that life’s experiences make us better writers. Good and bad, they help us craft our stories with authenticity and richness. When I sit down to continue writing the second book, I’m sure I’ll include some of this summer’s celebrations in the story.

So, I decided to stop fretting and enjoy this bountiful season. I understood that it was okay for me to take some time to not only smell the posies I’d planted or cultivated over the years, but also weed them and feed them. And to do the same for myself.

Summer is now almost over, and fall is on the way. Soon I’ll settle down and get back to work on a more consistent basis. But I’m also going to enjoy the bonfires, apple-picking, grape harvests and wine tastings, festivals, hikes and cozy dinners with my husband, friends and family.  And I’ll weave these experiences into my stories, as well.

The long and the ‘shorts’ of it all

By Sally Carpenter

A short story anthology is like a box of chocolate—you never know what you’re going to get.

Like all small presses, Cozy Cat Press doesn’t have a big advertising budget, so publisher Patricia Rockwell is always looking for new ways to promote her authors. One year the authors joined together to write a group mystery, “Chasing the Codex” (I wrote chapter 3). Another year CCP published a cookbook.

This year Patricia wanted to release an anthology to showcase the writers. Instead of paying for one author, the reader gets 25 different voices to sample.

Submissions to the anthology were voluntary. Some writers had other commitments and some chose not to take part.

The anthology doesn’t have a theme because that proved too limiting. Some authors wanted to use an old story they had sitting in a drawer. Others wanted to write about their CCP series characters. Others wanted to pen something different than their books. In all, an eclectic mix.

This year I’ve been working on a novel to launch a new series, so it was fun to revisit Sandy Fairfax, the star of four books of his own. He has such a distinct personality that I jumped back into his voice with no effort.

The story takes place on a children’s TV show, an idea that sounded fun but not meaty enough to stretch into a 200-page novel. Besides, I’d already written two books set on a studio lot, so I wasn’t interested in rehashing that idea for another book. So the kids’ show was a simple concept suited for a short story.

In late spring/early summer this year I wrote “The Puzzling Puppet Show Caper.” My books follow chronologically, so this story immediately follows book four. I wanted to reuse a character from book two, but in reviewing that book I discovered the character couldn’t make a comeback. I created a new character to take its place. I’d forgotten how book two ended, so it’s always good to reread ones books now and again.

I manage to sneak in a recurring character, Sandy’s agent, who appears in all four books, and his girlfriend, who arrives in book two. Short stories have no room for subplots, so none of Sandy’s family members show up.

The time frame is shorter. The novels cover one to two weeks. The short story is set in one day.

Like the books, Sandy involves himself in a murder investigation and gets caught in a “death trap” at the end. He’s been in more cliffhangers than the Perils of Pauline.

Enough about me. I ordered the book because I’m eager to read how the other authors put a story together.

The other authors in the anthology are Amy Beck Arkawy, Allen B. Boyer, C.F. Carter, Linda Crowder, Glen Ebisch, Bart J. Gilbertson, Helen Grochmal, Lorrie Holmgren, Bret Jones, Mary Koppel, Elizabeth Lanham, Owen Magruder, Jane O’Brien, Joyce Oroz, David Pauwels, Emma Pivato, Joe and Pam Reese, Megan Rivers, Patricia Rockwell, Rita Gard Seedorf, Rae Sanders and Annie Irvin, Lane Stone, Margaret Verhoef and Carmen Will.

The print version is a larger size than the regular CCP paperbacks in order to accommodate all the stories—340 pages!

So if you’re looking for a tasty story this holiday season for yourself or as a gift, dip into the “Coy Cat Shorts” smorgasbord.