What Goes Around… by Karen Shughart

I grew up in the 1950s, a time shortly after the end of World War II when all most people wanted was a simple life that included a modest home, food on the table and a little bit of money for extras. We had one TV, a black and white at first, and sometimes we ate TV dinners, prepackaged with meat loaf and macaroni and cheese or chicken pot pie, as we sat on chairs in the living room and watched the evening news.

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Our recreational activities were, for the most part, ones that cost little money. Our family had picnics with neighbors, relatives, or friends at a local park. One of my friend’s dad had a pick-up truck and on a summer evening he’d pile 6-8 of us into the back of it and take us for ice cream, which we ate standing around the truck or sitting at a picnic table. We played hide-and-seek outside when the sun set late, board games with our parents on cold or rainy days, or put together jig saw puzzles. Sometimes we went to movies; in the summer to drive-ins in our pjs; or to a restaurant on a Sunday afternoon. At least once a year we had a family outing to an amusement park with a wooden Ferris wheel and penny arcade.

One vivid detail that stands out is how bright the sky was then and how clear the air. When we couldn’t go to the community pool my mom turned the sprinkler on, and I remember loving the rainbows and diamond-like sparkles that were created by the sun hitting the water as we jumped and danced through the ephemeral spray. I remember, too, looking up at night and marveling at the carpet of twinkling stars that covered the sky.

Each July or August we went to the Jersey Shore, an eight-hour driving trip from Pittsburgh, where we lived.  All six of us (four kids and two parents) piled into our car, leaving at 2 a.m. so we could get to the beach by mid-morning, thus extending our week-long vacation by a day. My mother packed breakfast, small foil-lined boxes of Kellogg’s assorted cereals and a cooler filled with milk and fruit, and we stopped on the shoulder of the highway to eat it. Once there we played on the beach, body surfed in the ocean, ate bologna sandwiches on Wonder Bread, and at night walked the boardwalk.

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Photo by Karen Shughart

We were fortunate. For many, life wasn’t so blissful. There were scares and concerns. The Korean Conflict. The Cold War.There was no pandemic, but the epidemic of polio shattered a multitude of families, closed swimming pools, movie theatres and religious services; instead of ventilators there were iron lungs. The Salk vaccine, and then the Sabin, helped alleviate some of the concerns, but even so fears lingered, there were no vaccines for measles and mumps or other disabling childhood diseases.  Despite so-called prosperity many still struggled; there was rampant discrimination, and gross inequality. During this time a pot simmered slowly, but it wasn’t until the 60s that the pot boiled over, paving the way for the beginnings of change. Perhaps, though, not enough and it appears the pot’s boiled over again, as it should.

As we’ve woven our way through and around COVID 19, it’s been feeling a bit like the 50s to me, and, because of the recent protests that have occurred here and around the world, reminiscent of the 60s, too. Isn’t it odd how things that go around come around?

Why Cozies by Karen Shughart

 

Shughart,Karen-0016_ADJ_5x7 (1)Whew! Haven’t these past several months been surreal? Did you ever think a year ago that your life would change in ways that you probably never could have imagined? Before COVID-19, we expected that there would be ups and downs, but in most cases our daily routines were pretty much the same. And then BOOM! In a period of weeks, we’re wearing masks and gloves, ordering online more frequently, having our groceries delivered or picking them up curbside and enjoying happy hours with our friends, neighbors and family members on Zoom or by standing across the street from each other for a shout-out while we walk our dogs. That is, for those of us who have stayed healthy.

So, what does this have to do with the title of this blog? Plenty. I did a search on Google to see if I could find the definition of a Cozy mystery and this is what I found:

“(A) Cozy mystery is the gentlest subset of the broad genre of crime writing. As its name suggests, it’s a comfort read that leaves you satisfied and at one with the world, rather than scared to sleep alone with the lights out.” Source: Debbie Young, Cozy author and blogger http://www.authordebbieyoung.com/

“Cozies are a subgenre of crime ficiton in which sex and violence are downplayed or treated humorously, and the crime and detection take place in a small, socially intimate community.” Source: Wikipedia

“The small size of the setting makes it believable that all suspects know each other. The sleuth is usually a very likeable person who encourage(s) community members to talk freely about each other. There is usually at least one knowledgeable, nosy (and of course, … reliable!) character in the book who is able to fill in all the blanks, thus enabling the sleuth to solve the case.” Source:  Cozy Mystery List.

I’m not sure about you, but for me the global pandemic and its consequences have been a bit unnerving, to say the least. Don’t get me wrong, I count my blessings and have a lot to be thankful for. But could any of us have imagined that when we turned on the TV, the news would almost completely be about a virus that was infecting and killing masses of people? That schools, non-essential businesses, cultural and sports venues would be closed? The world changed in an instant and we had to adapt to it without any time to prepare.MurderintheCemeteryfrontlarge - Copy

So, getting back to the title of the blog: Why Cozies? While this hiatus may have encouraged some of  us to take an online class or catch up on the classics, stimulating non-fiction or that documentary we’ve always planned to watch; truth be told, many of us want to be transported to a time, place and setting where we can escape for a while and read a great story with lots of twists, turns and sometimes surprise endings. In short, something fun. Cozy mysteries can provide just that. And what’s wrong with sitting by the fire or on your front porch, cup of tea in hand, whiling away the hours being transported to a place where you know the horrors of our world won’t encroach?

 

Family of the Heart by Karen Shughart

At the beginning of each year I create a list of the blogs I intend to write for Ladies of Shughart,Karen-0016_ADJ_5x7 (1).jpgMystery. This month I had planned to write about choosing seasons as setting in a book.

But that’s not going to happen.  As COVID-19 continues to shatter many of our communities and insert itself into our lives regardless of whether we remain healthy or not, I decided that  the topic didn’t feel right. Instead, this blog is called Family of the Heart.

Let me explain: My husband and I live in a small village on Lake Ontario in New York state. Our nearest relatives live in Buffalo, about a two-hour drive away; siblings live in Pennsylvania and Florida and our children in New Jersey and California. Trips we’d planned to visit them were cancelled, and now of course, for several weeks we’ve been sheltering in place. One would assume, then, that we are isolated, but the good news is that we are not.

My next door neighbor, Bonnie, called one morning. She was heading to the grocery store and wanted to know if we needed anything. This week, I’ll call and ask her. On  several occasions we’ve participated in Zoom happy hours with friends who we have not seen for ages even though we live within walking distance, and with friends from far away. One evening several of us texted, it was a venting session to be sure, but it felt good to know we weren’t alone in our fear and apprehension.  There’s also been lots of sharing of funny videos and jokes via email and Facebook, and we’re talking on the phone more frequently with those we love.Nova.jpg

Two of our friends adopted dogs; we did, too.  Nova, a beagle, came to us from a no-kill shelter, and we were advised she had some potentially life-threatening health challenges, the result of being neglected and abused in an earlier life.  We decided to adopt her anyway.  She’s lovely and sweet, but we were anxious to see our vet. When we called, she never hesitated, and we took Nova for an office visit after hours, a necessary precaution these days.The good news is that Nova is far healthier than we believed.  We’ve had so much support through this process. Not only from our vet, but also from friends and neighbors who have provided us with items we needed for her care that we were unable to purchase for a multitude of reasons.

These are indeed difficult and stressful times. But we are not alone. We not only have ties to our biological families who may  living far away, but also to those in our community who are helping us get through this. Both are our families of the heart.

 

Creating Characters by Karen Shughart

Shughart,Karen-0016_ADJ_5x7 (1)If you think about it, creating characters is sort of like painting. I’m not much of an artist, but I’ve taken some lessons, and there are real similarities between the two. In both, you start with a blank canvas. You might have an idea of what you want to do, but the trick will be to get to the point where, whether with paint or with words, you end up with something recognizable, even in the abstract.

Suppose you want to paint a tree. You outline the tree with the brush, just the bare bones of it, but then you start to add layers of color and texture to make the tree look authentically, well, like a tree. For starters, you’ll probably paint the trunk, then the limbs, then the branches and finally the leaves.  By then, it looks like a tree, but it might be kind of flat, which is fine if you like that type of painting, but what if you want the tree to really look like the maple that stands in your front yard? A brush stroke here, a brush stroke there, perhaps a bit of canvas showing through,  and the trunk and the limbs and the branches start to really look alive, to take shape, to become the tree you view every day from your front porch.

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Then it’s time to think about the leaves. This is where you get to decide the season of that tree’s life. If it’s winter, the tree, if you live in the north where I do, will be barren of leaves, but with its own stark and weathered beauty. If it’s spring, then you will need to shape the leaves and possibly add some shades of yellow or red to the tips or add white or ivory to the green to give them a fresh, young feel. Summer leaves might include some black or brown strokes mixed into the green, that rich dark color that sends the message that the days are hot and heavy and bright.  If you’re painting a tree in mid-fall, you’ll think about foregoing most of the green and use lots of warm reds, deep yellows, oranges and ochre, what a lovely time in the life of that tree. In later fall the leaves turn brown, but if you look at them closely you’ll see that as with the other seasons of that tree’s life, there are many blended colors you’ll need to use to give the tree character.

Character.  Now that’s an interesting word, isn’t it? According to one of my dictionaries, those three-syllables  can mean many different things:  the mental or moral qualities distinctive to an individual;  a feature used to separate distinguishable things into categories; a graphic symbol or style of writing or printing; reputation or position; a person in a novel, play or movie. As I think about it, those definitions fit, whether you’re painting a tree on canvas or giving spirit, personality and dimension to the characters who live in your books.

 

Murder in the Cemetery, by Karen Shughart

MurderintheCemeteryfrontlargeWell, the baby finally was born. It was a long and hard labor, lasting almost two years, but in the end, I’d say it was worth it. Murder in the Cemetery, book two of the Edmund DeCleryk mystery series, has been published, and as I look back, the labor was one of love.

I thought this time it would be easier. I’d been through it before. I knew a little more about what I was doing and was comfortable working on developing the characters and plot. But I was wrong. It wasn’t easier. This time my expectations were greater, and I put more pressure on myself. I fretted more, and many times woke up in the middle of the night remembering details I needed to include or thinking about plot changes that would make the book better.  I worried that my publisher, Patricia Rockwell, at Cozy Cat Press, wouldn’t like this one as much as Murder in the Museum, the first in the series.  Happily, she did.

One of the biggest challenges in this book was keeping track of all the details. The plot is a bit more complex, so there are lots of them. Plus, there were recurring characters whose personalities and names I had to keep straight.  When I introduced something, such as a conversation early in the book that gave hints to who the murderer was, I had to make sure I followed through to the resolution. Descriptions had to be consistent throughout. Ditto for points of view. And sequence of events, except when there were flashbacks, needed to be chronological.

During a trip Ed and Annie take to England (it has to do with what Ed discovered on the beach at the end of Murder in the Museum) a glimmer of something about the murder in this book wafts through Ed’s head. He dismisses it, but in a chapter close to the resolution, I had to make sure he remembers it.  Annie also had a moment of discomfort when something niggled in her brain, but close to the end she remembered what it was, and it was a detail that helped to solve the crime.

I’m excited that the book is finished. Promotion has begun, but I’m also beginning to develop the plot for book three, Murder at Freedom Point. Whether it will be easier or more difficult to write than the previous two remains to be seen, but I know I will love the conception, gestation, labor, and what I certainly hope will be a very happy and healthy delivery.

Check out my website: https://www.karenshughart.com for a synopsis of Murder in the Cemetery, to read my blogs and newsletters, see what other books I’ve written or to purchase any of them.