Bouchercon and Left Coast Crime

Those are the two biggest mystery conventions and both will be fairly close to me this year, Sacramento and San Diego.

For years, my husband and I went to every Bouchercon and Left Coast Crime. We visited wonderful cities all over the U.S., places we would never have gone otherwise.  When these two conventions were held previous here, I went on my own–by train to one, and traveling in a car with a friend to another.

I loved the experience and meeting so many wonderful writers and readers. I made so many friends over the years that attending one of these cons was like going to a family reunion.

Sadly, despite the proximity of both cons, I’ve made the decision not to attend either one.

The reasons? Partly my age. It’s not as easy for me to get around these days, and the huge cons require lots of walking, Another reason is the cost, the biggest being the hotel stay and restaurant meals.  Yes, I will miss seeing old friends, meeting new ones, being on a panel, learning a lot about authors whose books I enjoy.

A mystery convention is different than a writer’s conference. I am planning to go to two of those. In March, I’ll attend Writers of Kern in Bakersfield. My daughter is going with me, it’s held in one big room and it’s only one day. In July, I’m signed up for the Public Safety Writers Association’s annual conference in Las Vegas. Again, my daughter is doing the driving duty, and the hotel is not expensive, and one huge lunch is provided each day. The conference is held in one room–and I’ll get to see many of my friends, writers and folks in law enforcement and other public safety fields. Public Safety Writers Association

For those who are able to attend the big cons, have a wonderful time. Be sure and talk to people you don’t know, they may end up being a new fan of your books. If you are a reader, don’t be afraid to introduce yourself to your favorite writers.

And of course, in between all this excitement, I’ll continue working on my next Deputy Tempe Crabtree myster.

Spirit Wind cover

A Thousand Thanks

Recently a fellow writer, Jacqueline Seewald, posted an article written by a mystery reader in response to one of her short stories. Along with several others, I commented that this was a gratifying response from a reader, and then I got thinking.

I began writing and publishing mysteries and mystery related articles, reviews, essays over thirty years ago, and to be singled out by a reader for praise is always a thrill. Like any other writer, I want readers to enjoy my work. The number of mystery-related conferences spread throughout the year and scattered around the US and the rest of the world means we are often thrown into contact with current and future (and sometimes past) readers. Both of us—writers and readers—have learned to take this in stride. I make note of which characters a reader liked particularly, a question about a character’s backstory, or hints at a new series or a new direction. But fans don’t have to wait for a conference to find us.

Writers get emails through our websites or blogs, posts on other blogs about a meeting or a particular story, or conversation about a book club. Readers can engage almost any writer on FB or Twitter, on Goodreads or other sites. Writing may be a solitary business, but the readership is ever present. Writers and readers almost can’t avoid meeting each other and engaging in an ongoing conversation. For most of those writing today, this is the norm and always has been. But not for me.

When my first mystery was published, Murder in Mellingham(1993), I was thrilled to have a book launch at Kate’s Mystery Books and meet other writers and readers. After this I attended Malice Domestic and Bouchercon, and met lots of other writers including those I’d never expected to meet in person let alone speak to or have dinner with. It was quite an experience.

But nothing since then has matched the first piece of mail (yes, snail mail) I received from a fan. I was a newbie, still very little known, but a man who read my mystery took the time to write to tell me how much a specific passage had moved him. He had recently lost his mother, and that one line seemed a particular comfort. I’d never received this kind of letter before (And why would I? This was my first mystery.) and barely managed to write a coherent reply.

I remember that letter because it took time to compose, write on paper, address, stamp, and send (and came through my publisher, as I recall) and was very personal. Of all the warm and enthusiastic responses I’ve had from readers, that one is still the one I remember. Did Jacqueline Seewald feel as excited about her reader’s response? Of course she did. Do younger writers who may never have taken to letter writing feel the same way, I wonder, about email notes from readers telling them how much they liked a book? I’m sure they do. But for me, a letter in the mail will always be the ultimate form of communication.

For the article inspired by Jacqueline Seewald’s story, go to: https://jacquelineseewald.blogspot.com/2020/01/how-readers-relate-to-fiction.html?

Less Time to Write=New Perspectives

I’ve been busier than usual with community activities, recertifying as a fitness professional, and researching and planning the switch to an electric car. Time well spent, but meanwhile, book eight in the Mae Martin Psychic Mystery Series has been getting about an hour a day of attention. I don’t feel like a full-time writer.

On the plus side, when I’m less wrapped up in the book, I question everything about it. Does the plot really work? It has to be meaningful, not just a puzzle being solved. How does it further the lead characters’ series arcs? How does the very nature of the mystery challenge their development? How does it interact with their personal lives?

Then there’s this question that comes up with every book: Is the antagonist character too much like prior antagonists?  And how does this new enemy make the perfect opponent to fit my main characters’ strengths and—even more important—their flaws?

How many components of the plot need to change? Are there aspects of it that might turn off my long-term fans? If I feel it doesn’t sustain visionary fiction element of the series, my readers might think so, too. I have to create stakes that are  serious as death without the threat of murder.

This blog post was my “thinking aloud session.” I’ve got some revisions to make, but I’m more confident of them now. Thanks for listening!

What Inspired Me to Write Cozies by Karen Shughart

100_0103Many years ago, when my husband and I were living in a suburb in central Pennsylvania near Harrisburg, we decided to explore the south shore of Lake Ontario. The Memorial Day weekend was approaching, a time when we typically headed to beach towns in Delaware or Maryland.  That year, not wanting to deal with gridlock traffic, expensive hotels and wall-to-wall throngs of people, we were determined to do something different.

We looked at a map. If we headed directly north, we’d come to Sodus Point, NY, located on two peninsulas that jutted out onto Lake Ontario and Sodus Bay. We made a reservation at a bed and breakfast with views of the water and within walking distance to restaurants and shops.  On a cool, May morning we drove into this tiny village, passing a golf course, simple cottages, marinas with a forest of sailboats moored in slips, and further out on the bay, a lazy one or two gliding through the water.  I turned to my husband and said, “This is my dream town.”

We spent the weekend exploring, taking short drives to wineries located in the nearby Finger Lakes, walking along the sandy beach, touring the lovely museum that stood on a bluff a block from the bed and breakfast, and eating at maritime-themed restaurants that lined the bay.  We met people who welcomed us, and with absolute sincerity told us that if we came back to visit to get in touch. They meant it and today many of them, along with others, remain our friends.

Two weeks later we placed an offer on a property built more than a century earlier for an assistant lighthouse keeper, and by fall we were spending weekends and holidays in our quaint home by the sea.  Years later, after retiring, we sold our house in Pennsylvania and moved here permanently.

The charm, the weather (yes, it snows in the winter, and we do get lots of wind), the cozy pubs and intimate gatherings of friends, the bountiful growing season where lush orchards, vineyards and farms provide all manner of produce, the holiday celebrations, these gratify and satisfy. Plus, within a short drive, there’s access to a myriad of cultural venues you find in a large city.

Now I’ll get back to the reason for the title of this blog. I always wanted to write Cozies, and I always wanted them to be set in a small village by the sea. I can’t think of a better place for master sleuth, Edmund DeCleryk, and his wife, Annie, to solve crimes. When the wind blows in from the north, the snow comes in droves, the mud washes through the gullies, and I can hear the waves crashing upon the shore, I’m in my glory. Sitting at my computer, snug and warm on a winter’s day, I’m inspired. For me, there’s simply no better place than this for my imagination to soar.

Am I Crazy or What?

I’m doing my hiking plan for creativity and fitness this afternoon and I hit an intersection. I could on and catch a bus home, well, two buses, by just going straight. Or I could walk even further, catch only one bus and get some work done at the library. The problem? I’m getting tired, which given my health, can be a real issue. So, naturally, I went even further and am now at the library.

The book that needed the landing page

The other day, one of my laptops develops this big problem. One of the programs is getting triggered and asking for a password that I never set up. Kind of hard to get anything working when you don’t have the password. I get past it by cancelling the password demand multiple times until it stops popping up. But do I leave it at that? Noooo! I decide to re-install the operating system with a better version for that particular laptop. No, it didn’t go smoothly, but I kept at it until I had the new system up and running and the critical programs installed and working.

Then yesterday, after getting the above laptop going, I go to update a page on my sight that had gotten broken in a recent update, so did I just replace the elements on the page that I’d had there before? Of course not. I redesigned the page (it needed to be more mobile-friendly), and added yet another page because, well, I needed something to link to. I could have just added the link later when I’d gotten that second page up and running. Like I was going to do that.

In fact, several times this week and, oh, last month, when the website first broke, I have skipped the easy fix and gone for a better one, never mind how much this stuff was making me cuckoo for Cocoa Puffs.

Like with the walking thing. I pushed too far, which means I’ll pretty much be a wet noodle tomorrow. And that’s not good because I have to clean house for a thing on Sunday, which will involve getting things cleared away and not just dumped someplace else, like my husband does. That would be the easier way to do it, but then all that stuff will lay dumped and never get to the right spots, which will, in turn create more problems.

Which is why I seem to prefer going the extra distance. Too often, going with the easy fix just creates more trouble. I’d rather just get it done the right way the first time. Or as close to the right way as I can get it.

Take the webpage thing. The page that had broken was the landing page for my latest book (which was released last spring). The buy links had been dropped – not something that works real well when you’re trying to sell books. The reason I didn’t just go back to the old design was that it was using some bits of software, called plug-ins, that were messing things up for those of my readers using their phones to reach the page. I re-aligned the different elements on the page to put the buy buttons closer to the book cover… Well, you can see what I did here.

I also had to make two new buttons for the new links, convert one of the chapters to .pdf and make the page for the whole Old Los Angeles series – a page I’ve been planning posting anyway. I could have just added the link to the series page when I got around to actually building the series page, but it would have messed up the look of the book page in the meantime.

I will be refining the series page at some point in the future – it’s in the queue of website fixes I’ve got to do. But it’s looking reasonably good. I’m very pleased with how the book landing page came out, too. It was the longer fix, but it was the better fix.

What about you? Are you okay with the quick fix when needed or do you go the long way around?