Many literary prose are filled with angst and trepidation. I wonder if literary writers feel the same angst and trepidation that genre writers do?
This is a confession of sorts. Before I started writing mystery, I just researched either history, settings, occupations or whatever I needed to make the story real and conjured up characters that I liked and hoped readers liked. Those were my romance books.
Then I wrote an action adventure trilogy. I researched and read and studied. I came up with a high IQ character and hoped I could pull her off. I set books in areas I had never been, but I found people who had or lived there. I dug deep to make sure I had all the knowledge I felt I needed to write those books. When the first one released, I knew it was going to flop. How could I write about an anthropologist with a genius level IQ and make people believe her?
But I did! Readers loved Isabella Mumphrey. The first book won an award!
After all the angst and worry, I decided to try my hand at the genre I really wanted to write– mystery. And what did I do? I made my character half Native American. Mainly because I feel it is a culture that gets shoved under the rug and partly because I love research and learning new things. I thought why not learn about the culture along with my character.
But I worried I couldn’t pull her off. That someone would tell me I didn’t have the right to write such a character or I wasn’t portraying her correctly. However at book 14 in my Shandra Higheagle Mystery series, I have people who love the information on the culture that I include in the books. This makes me happy that I am informing my readers about a culture they may not know about in an entertaining way.
Then I start writing another book and I worry this one won’t be as good as the last. Or I feel it’s lagging, not enough twists, or not enough culture… There is always something I feel I didn’t flush out enough.
This goes on daily as I write. My books go through critique partners, beta readers, a line editor, a sensitivity reader, a proof reader and my final arc readers before it gets to the public. And I still worry that something was missed.
It isn’t until my ARC readers send me the links to their reviews that I know if my book was mediocre or they enjoyed it. I”m happy to say the newest release has been a joy to get reviews and emails about. The subject lines have been: I loved it! You did it again!
These are worth all the worrying, angst, and beating myself up over the characters and plot.
Here is Abstract Casualty
Book 14 in the Shandra Higheagle Mystery series
Hawaiian adventure, Deceit, Murder
Shandra Higheagle is asked to juror an art exhibition on the island of Kauai, Hawaii.
After an altercation at the exhibition, the chairwoman of the event, Shandra’s friend, arrives home with torn clothes, scratches, and stating she tried to save an angry artist who fell over a cliff. Shandra and Ryan begin piecing together information to figure out if the friend did try to save the artist or helped him over the edge.
During the investigation, Shandra comes across a person who reminds her of an unhealthy time in her past. Knowing this man and the one from her past, she is determined to find his connection to the dead artist. When her grandmother doesn’t come to her in dreams, Shandra wonders if her past is blinding her from the truth.